Artist: Amalie Stalheim, Christian Ihle Hadland
Title: Stravinsky, Poulenc & Debussy: Works for Cello and Piano
Year Of Release: 2023
Label: Lawo Classics
Genre: Classical
Quality: 24bit-192kHz FLAC (tracks + booklet)
Total Time: 48:55
Total Size:1.69 GB

Tracklist:

1. Suite Italienne (Version for Cello & Piano): I. Introduzione (2:17)
2. Suite Italienne (Version for Cello & Piano): II. Serenata (2:59)
3. Suite Italienne (Version for Cello & Piano): III. Aria (5:12)
4. Suite Italienne (Version for Cello & Piano): IV. Tarantella (2:19)
5. Suite Italienne (Version for Cello & Piano): V. Minuetto (1:57)
6. Suite Italienne (Version for Cello & Piano): VI. Finale (2:04)
7. Cello Sonata, FP 143: I. Allegro – Tempo di Marcia (5:33)
8. Cello Sonata, FP 143: II. Cavatine (6:08)
9. Cello Sonata, FP 143: III. Ballabile (3:28)
10. Cello Sonata, FP 143: IV. Finale (6:16)
11. Cello Sonata in D Minor, CD 144, L. 135: I. Prologue – Lent, sostenuto e molto risoluto (4:27)
12. Cello Sonata in D Minor, CD 144, L. 135: II. Sérénade – Modérément animé (3:01)
13. Cello Sonata in D Minor, CD 144, L. 135: III. Final – Animé, léger et nerveux (3:21)

Award winning cellist Amalie Stalheim (b. 1993) is known for her technical brilliance, personal expression and unique tone and has appeared as a soloist with orchestras such as the Gulbenkian Orchestra, Bergen Philharmonic Orchestra, Oulu Symphony Orchestra, the Norwegian Radio Orchestra, Royal Stockholm Philharmonic Orchestra, the Swedish Radio Orchestra, Gothenburg Symphony Orchestra and Iceland Symphony Orchestra. Christian Ihle Hadland has estab-lished himself as a true craftsman of the piano, a musician whose del-icate, refined playing and individu-al touch have led him to the most prestigious stages in the world. Christian came to international at-tention in 2011 as a BBC New Gen-eration Artist. As an NGA he per-formed with all four of the BBC's symphony orchestras and broad-cast solo and chamber recitals for the corporation in London. He also made his debut at the BBC Proms in London where he was praised by critics for his 'pearly' and 'otherwordly' sound.