Torrent details for "Beethoven - Piano Sonata No. 29, An die ferne Geliebte (Arr. Liszt) - Nobuyuki Tsujii (2024) [24-96]" Log in to bookmark
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29-11-2024 05:35
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Artist: Nobuyuki Tsujii
Title: Beethoven: Piano Sonata No. 29 "Hammerklavier"; An die ferne Geliebte (Arr. Liszt)
Year Of Release: 2024
Label: Deutsche Grammophon (DG)
Genre: Classical
Quality: 24bit-96kHz FLAC (tracks)
Total Time: 57:10
Tracklist:
1. Beethoven: An die ferne Geliebte, Op. 98 (Arr. Liszt for Solo Piano as S. 469): No. 1, Auf dem Hügel sitz ich, spähend (2:27)
2. Beethoven: An die ferne Geliebte, Op. 98 (Arr. Liszt for Solo Piano as S. 469): No. 2, Wo die Berge so blau (1:58)
3. Beethoven: An die ferne Geliebte, Op. 98 (Arr. Liszt for Solo Piano as S. 469): No. 3, Leichte Segler in den Höhen (1:38)
4. Beethoven: An die ferne Geliebte, Op. 98 (Arr. Liszt for Solo Piano as S. 469): No. 4, Diese Wolken in den Höhen (1:04)
5. Beethoven: An die ferne Geliebte, Op. 98 (Arr. Liszt for Solo Piano as S. 469): No. 5, Es kehret der Maien, es blühet die Au (2:20)
6. Beethoven: An die ferne Geliebte, Op. 98 (Arr. Liszt for Solo Piano as S. 469): No. 6, Nimm sie hin denn, diese Lieder (4:10)
7. Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": I. Allegro (11:33)
8. Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": II. Scherzo. Assai vivace – Presto (2:45)
9. Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": III. Adagio sostenuto, appassionato e con molto sentimento (17:34)
10. Beethoven: Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier": IV. Largo – Allegro – Allegro risoluto (11:46)
Quote:
The Japanese pianist and recent DG signing Nobuyuki Tsujii releases a further pre-release track of his intensely awaited upcoming debut album on DG. For the album, he has chosen Beethoven’s formidable Hammerklavier Sonata, renowned for its dual technical und intellectual challenges, combined with the lyricism of Liszt’s affectionate transcription of Beethoven’s An die ferne Geliebte, Op. 98 (“To the Distant Beloved”).
Nobuyuki, who learns every score by heart on account of his blindness, commented on the daunting nature of the Hammerklavier: “It’s such a long work that it’s very difficult to maintain your concentration. I spent a lot of time preparing for the recording … making the music my own. … The more you play it, the more deeply you feel it. There are aspects of Beethoven’s experience that overlap with my own – he lost his hearing but still wrote wonderful, and very difficult, pieces like this sonata. So I worked on it with great respect.”