Release: Alien Resurrection
 Version: R2 Special Edition
 Also Known As: Alien 4
 Year: 1997
 Source: Retail Blu-Ray
 iMDB: https://www.imdb.com/title/tt0118583/
 Certification: Rated R for strong sci-fi violence and gore, some grotesque images, and for language (18)
 Genre: Action, Horror, Sci-Fi

 Storyline: Two centuries after her death, a powerful human/alien hybrid clone of Ellen Ripley aids a
 crew of space pirates in stopping the aliens from reaching Earth...

 Release: Alien.Resurrection.R2.Special.Edition.1997.BluRay.2160p.Ai.DTS-HD.MA.5.1.DD5.1.H265-KC
 File Name: alien.ressurection.1997.r2.se.4k-kc.mkv
 Container: Matroska v4
 Codec iNFO: V_MPEGH / iSO / HEVC
 Color Space: YUV / iSO Subsampling 4:2:0 / BT.709 / SDR
 Profile: Main 10@L5@Main
 Bit Depth: 10 Bit
 Size: 39.6 GB approx.
 Chapters: 1 to 32
 Runtime: 1 Hour 56 minutes 08 seconds.
 Resolution: 3840x2160 Ai-Enhanced Upscale
 Aspect Ratio: 16:9 (w/Bars/Borders)
 Frame Rate: 23.976 (The Way Cinema Should Be...)
 Bit Rate: 48.8 Mb/s (avg. - vbr)
 Sample Included: YES - 64 seconds
 Language: English

 Audio 1: DTS-HD Master Audio 5.1 Lossless Surround (English/Main) @4238 kb/s (cbr) 48.0 kHz
 Audio 2: Dolby Digital Surround 5.1 (English/Main) @384 kb/s (cbr) 48.0 kHz
 Audio 3: Dolby Digital Stereo 2.0 (English/Main) @640 kb/s (cbr) 48.0 kHz
 Audio 4: AAC 5.1 Compressed Surround (English/Main) @992 kb/s (vbr) 48.0 kHz - None DTS players I gotcha'
 
 Subtitle [S: pgs] English
 Subtitle [S: English Forced Subtitles (auto)]

 Trivia: Sigourney Weaver originally refused to do a fourth Alien film. When asked why she changed her
 mind, she replied, "They basically drove a dumptruck full of money to my house".
 
 R2 Special Edition iNFO: The R2 Special Edition contains 7 extra minutes of altered and/or extended scenes.
 As a result, there is a little more character development...
 
 The main titles (the distorted shots of the 7 early Ripley clones in the theatrical cut) have been replaced
 by an alternate opening, which starts with a close-up of a growling alien mouth. As the camera pulls back,
 it is revealed to be the beak of a fly, that is subsequently squashed by a thumb of a soldier. The soldier
 uses a straw to blow the fly's blood against a window, which shows that he is actually sitting in a nacell
 of the Auriga spaceship. The rest of the shot shows the Auriga slowly flying away from camera.
 
 Directly after the chestburster has been surgically removed from Ripley 8, she wakes up from her narcosis,
 grips the surgeon's arm and breaks it.
 
 In the scene where Ripley is shown drawings of a glove and fruit, directly after Genral Perez, Wren and
 Gediman leave, the doctor shows Ripley a drawing of a young, blond girl, which seems to trigger an emotional
 memory in her.
   
 During the meal scene, Ripley repeats Gediman's 'Fiori 16', and he asks her what she remembers. Dr. Wren
 can also tells some more about the Weyland-Yutani company ("bought up by Wall-Mart")
 
 The 'Betty introduction scene has been completely re-edited and extended. The scene now starts with the
 Betty flying towards the Auriga, Elgyn giving the clearance code over the radio (E-A-T-M-E), but now he
 flirts some more with Hillard, and warns Call and Vriess over the intercom to get ready. Next, Call and
 Vriess are shown working on the cargo, followed by some extended dialogue in which Vriess tells Call an
 obscene joke. This is followed by the scene in which Christie gets his hidden weapons (which came first
 in the original cut). Next is Johner's 'target practice', Vriess then throws a tool to his head, Call calls
 him names, but Johner simply replies by asking for his knife. When Vriess comments on his alcoholism,
 Johner demands his knife back, Call breaks it, Johner threatens her, and there is an extra line from Vriess
 that he and Call deserve better company.
 
 During the deal between Elgyn and Perez, Elgyn has some more 'flattering' remarks about Call, thinking
 Vriess has an eye on her. After Elgyn asks Perez for three days bed and board, Perez agrees under a few
 conditions (no trespassing in restricted areas, no trouble, no fighting).
 
 After Purvis shouts "What's in-fucking-side me?!?", Wren answers: "A parasite! A foreign element!" After
 Call says that Purvis can be frozen and operated later, she has another run-in with Johner, followed by
 Christie agreeing that Purvis comes, but saying he will shoot him if he starts acting funny.
 
 Just before everyone takes a dive through the flooded kitchen, Christie and DiStephano have a short
 conversation on Christie's weapons ('the disposable kind'), and Call reminds everyone to take a deep breath.
 
 In the chapel, just after Purvis' fake chestburst, there is an extended line from Call, stating she
 recalibrated ground level, sending the ship into an uninhabited quadrant of Earth, before she mentions time
 of impact. After Ripley asks if she's the new asshole model, she replies she couldn't let humanity
 annihilate itself. Ripley comments that she once tried to save people as well; she remembers a girl that
 had bad dreams, but she died despite her help, and now she can't even remember her name. After DiStephano
 enters to take them with him, Ripley asks Call if she dreams, which Call does thanks to neural processors;
 Ripley says she dreams about the aliens every night, and that she used to be afraid, but not anymore, since
 it is always worse when she wakes up.
 
 After Johner kissed Vriess for getting them safely through Earth's atmosphere, there is an alternate ending
 with the Betty landing on Earth. Call warns Ripley for the military that will come looking for her soon.
 She says someone can get pretty lost on Earth, and asks Ripley what to do. Ripley replies that she doesn't
 know, since she is a stranger there herself. The camera then goes up, to reveal a post-apocalyptical Paris.