General
Filename.......: Pat.Garrett.and.Billy.the.Kid.1973.50th.Anniversary.Cut.2160p.UHD.Blu-ray.Remux.DV.HDR.HEVC.FLAC1.0-CiNEPHiLES.mkv
FileSize.......: 79.3 GiB
Duration.......: 1 h 57 min


Video
Codec..........: HEVC  Main 10@L5.1@High
Resolution.....: 3840x2160
Aspect ratio...: 16:9
Bit rate.......: 96.0 Mb/s
Frame rate.....: 23.976 fps
Color primaries: BT.2020 - Dolby Vision / HDR10


Audio
Language.......: English  
Channels.......: 1 CH
Format.........: FLAC
Bit rate.......: 605 kb/s


Audio (#2)
Language.......: English  
Channels.......: 1 CH
Format.........: Dolby Digital
Bit rate.......: 192 kb/s
(Commentary by editors Paul Seydor and Roger Spottiswoode, and critic Michael Sragow)


Subtitle.......: English
Subtitle.......: English (SDH)
Subtitle.......: English (SDH / PGS)

Source: Criterion Collection UHD Blu-ray (thanks KAKAROT!)

50th Anniversary Release
Supervised and approved by editor and author Paul seydor and Pat Garrett and Billy the Kid coeditor and colorist Roger Spottiswoode, this new 4K master was created from the 35mm original camera negative and a 35mm color reversal intermediate. The original monaural soundtrack was remastered from the two-inch DME magnetic track. This cut represents a continuation of work begun by Seydor for the special edition released on DVD by Warner Bros. in 2005. That version restored most of the scenes removed for the film’s theatrical release, and featured additional tightening by Spottiswoode and fellow Pat Garrett and Billy the Kid editor Robert L. Wolfe, both frequent collaborators of Peckinpah’s. The 50th Anniversary Release corrects the earlier version’s color grading and sound mix, and includes “further changes we felt were necessary in order to come closer to what Peckinpah himself wanted,” according to Seydor and Spottiswoode. Those include the reinstatement of “the scene in the script called ‘Tuckerman’s Hotel,’ and a few lines of additional dialogue in other scenes. The only scene the anniversary release does not retain from the 2005 version is the ‘Prostitutes montage,’ which followed Garrett forcing Ruthie Lee to reveal where the Kid is.” (This montage—which Spottiswoode and Katy Haber, Peckinpah’s Personal assistant, believe the director would have eventually removed had his work on the film continued—can be seen in the Final Preview Cut.)