Torrent details for "The.Blob.1988.2160p.DV.HDR10.Ai-Enhanced.H265.DTS-HD.MA.5.1-RIFE.4.15-60fps-DirtyHippie" Log in to bookmark
English
Name
DL
Uploader
Size
S/L
Added
59.40 GB
2,851
[7/3]
17/10/23 20:40
Uploaded by webmaster32 | Size 59.40 GB | Health [7/3] | Added 17/10/23 20:40 |
-
27.87 GB
1,376
[0/0]
19/10/23 14:03
Uploaded by jolandemor | Size 27.87 GB | Health [0/0] | Added 19/10/23 14:03 |
-
24.88 GB
1,057
[0/0]
20/10/23 18:13
| Uploaded by jay77cujo | Size 24.88 GB | Health [0/0] | Added 20/10/23 18:13 |
Title:
Plazma (1988)
Genre:
Horror, Sci-Fi, Thriller
Runtime:
95 min - Rating: 6.6
Director:
Plot:
Meg Penny is a cheerleader out on her first date with one of the football players, Paul Taylor. It doesn't go very well. Before they get where they're going, an old vagrant runs out in front of Paul's car, screaming in terror. The old man is closely followed by Brian Flagg, the local teen rebel, complete with long hair, black leather jacket, motorcycle and tough-guy attitude. Paul blames Brian for chasing the old man, but after the threesome takes him to the doctor's office, it becomes clear the vagrant had more to worry about than some young tough. He was screaming because of the acid-like substance on his hand - a substance that spreads over his body and eventually consumes him. Soon, the growing red blob, which sprouts tentacles to attack its victims, becomes a menace to the small town of Arbeville, Colorado. The military soon arrives in Hazmat suits, led by the wide-eyed Dr. Christopher Meddows. They're from the government, they say, and they want to help; but Brian's distrust for authority figures proves justified when he learns of their true motives.
The Blob (1988) 2160p, -- DOLBY VISION/HDR10+ in 60FPS !!! :D -- Ai Enhanced from a 2160p Blu-ray REMUX as the source. I then increased the framerate from the default 24fps, to 60fps via SVP 4 PRO + TensorRT RIFE 4.15 :)
Source: The.Blob.1988.2160p.UHD.Blu-ray.Remux.HDR.HEVC.DTS-HD.MA.5.1-RaggaMuffin
Screenshots are not fully representative of the HDR10/10Plus/DV final result, as they were taken from my pc using MPC-HC with tone mapping! If I take the screenshots with my display in HDR, the result is way off, with too much exposure.
So, for now, tone mapping screenshots it is ;)
THIS WAS NOT FILMED IN HFR, it is encoded using high-quality motion interpolation with Real-Time Intermediate Flow Estimation (RIFE).
If you HATE motion interpolation for example, 60fps (smooth motion), then please do us all a favor and hit the back button, because this isn't for you....
If you LOVE smooth motion, then you are in for a treat! :D
Sample included.
English audio and English PGS subtitles included. Enjoy!
Immerse. Experience. Electrify. Discover Hyperreality, with HFR.
Forget the blurry edges of standard frame rates. Imagine a world where action explodes off the screen with crystalline clarity, where emotions flicker across faces with breathtaking detail, where every punch, every pirouette, every bullet whizzes by in hyper-vivid reality. This is the future of cinema, unveiled by High Frame Rate (HFR).
HFR shatters the 24fps glass ceiling, unleashing a torrent of 60 or 120 frames per second, etc. That redefines cinematic immersion. No more motion blur shrouding epic battles, no more missed nuances in delicate performances. Experience a world where reality blurs with fiction, where you're no longer watching a movie, you're living it.
HFR isn't just about speed. It's about precision. It's about capturing the raw beauty and brutality of movement with unmatched fidelity. Witness the intricate choreography of a fight scene, the heart-stopping plunge of a freefall, the tear glistening on a cheek – all with a depth and sharpness that leaves traditional film breathless.
Hollywood is on the cusp of a revolution. Directors like Ang Lee and James Cameron are pioneers, pushing the boundaries of storytelling with HFR's hyper-real lens. From action blockbusters to intimate dramas, this new technology unlocks a universe of possibilities.
Embrace the future. Step into the hyperreality. Demand HFR. Because tomorrow's cinema isn't just watched, it's experienced.
Don't just see the story. Feel it. Breathe it. Live it. HFR
Complete name : The.Blob.1988.2160p.DV.HDR10.Ai-Enhanced.H265.DTS-HD.MA.5.1-RIFE.4.15-60fps-DirtyHippie.mkv
Format : Matroska
Format version : Version 4
File size : 21.1 GiB
Duration : 1 h 35 min
Overall bit rate mode : Variable
Overall bit rate : 31.8 Mb/s
Frame rate : 59.940 FPS
Movie name : The Blob (1988)
Encoded date : 2024-05-31 14:40:03 UTC
Writing application : mkvmerge v84.0 ('Sleeper') 64-bit
Writing library : libebml v1.4.5 + libmatroska v1.7.1 / Lavf61.3.103
VIDEOAI : Enhanced using amq-13
Video
ID : 1
Format : HEVC
Format/Info : High Efficiency Video Coding
Format profile : Main 10@L5.1@Main
HDR format : Dolby Vision, Version 1.0, Profile 8.1, dvhe.08.09, BL+RPU, no metadata compression, HDR10 compatible / SMPTE ST 2086, Version HDR10, HDR10 compatible
Codec ID : V_MPEGH/ISO/HEVC
Duration : 1 h 35 min
Bit rate : 27.3 Mb/s
Width : 3 840 pixels
Height : 2 144 pixels
Display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 59.940 (60000/1001) FPS
Original frame rate : 59.524 FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 10 bits
Bits/(Pixel*Frame) : 0.055
Time code of first frame : 00:59:58:24
Stream size : 18.1 GiB (86%)
Default : Yes
Forced : No
Color range : Limited
Color primaries : BT.2020
Transfer characteristics : PQ
Matrix coefficients : BT.2020 non-constant
Mastering display color primaries : Display P3
Mastering display luminance : min: 0.0001 cd/m2, max: 1000 cd/m2
Maximum Content Light Level : 697
Maximum Frame-Average Light Level : 121
Audio #1
ID : 2
Format : DTS XLL
Format/Info : Digital Theater Systems
Commercial name : DTS-HD Master Audio
Codec ID : A_DTS
Duration : 1 h 35 min
Bit rate mode : Variable
Bit rate : 3 869 kb/s
Channel(s) : 6 channels
Channel layout : C L R Ls Rs LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 SPF)
Bit depth : 24 bits
Compression mode : Lossless
Stream size : 2.57 GiB (12%)
Title : 5.1 Surround Mix
Language : English
Default : Yes
Forced : No
Audio #2
ID : 3
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : A_AC3
Duration : 1 h 35 min
Bit rate mode : Constant
Bit rate : 192 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Bit depth : 32 bits
Compression mode : Lossy
Stream size : 131 MiB (1%)
Title : Commentary With Director Chuck Russell, Cinematographer Mark Irwin, And Special Effects Artist Tony Gardner, Moderated By Filmmaker Joe Lynch
Language : English
Service kind : Complete Main
Default : No
Forced : No
Dialog Normalization : -31 dB
compr : -0.28 dB
dsurmod : Not Dolby Surround encoded
ltrtcmixlev : -3.0 dB
ltrtsurmixlev : -3.0 dB
lorocmixlev : -3.0 dB
lorosurmixlev : -3.0 dB
dialnorm_Average : -31 dB
dialnorm_Minimum : -31 dB
dialnorm_Maximum : -31 dB
Audio #3
ID : 4
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : A_AC3
Duration : 1 h 35 min
Bit rate mode : Constant
Bit rate : 192 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Bit depth : 32 bits
Compression mode : Lossy
Stream size : 131 MiB (1%)
Title : Commentary With Actress Shawnee Smith
Language : English
Service kind : Complete Main
Default : No
Forced : No
Dialog Normalization : -31 dB
compr : -0.28 dB
dsurmod : Not Dolby Surround encoded
ltrtcmixlev : -3.0 dB
ltrtsurmixlev : -3.0 dB
lorocmixlev : -3.0 dB
lorosurmixlev : -3.0 dB
dialnorm_Average : -31 dB
dialnorm_Minimum : -31 dB
dialnorm_Maximum : -31 dB
Audio #4
ID : 5
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : A_AC3
Duration : 1 h 35 min
Bit rate mode : Constant
Bit rate : 192 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Bit depth : 32 bits
Compression mode : Lossy
Stream size : 131 MiB (1%)
Title : Commentary With Chuck Russell and film Producer/Film Historian Ryan Turek [Shout! Factory CE Blu-ray]
Language : English
Service kind : Complete Main
Default : No
Forced : No
Dialog Normalization : -31 dB
dialnorm_Average : -31 dB
dialnorm_Minimum : -31 dB
dialnorm_Maximum : -31 dB
Text #1
ID : 6
Format : UTF-8
Codec ID : S_TEXT/UTF8
Codec ID/Info : UTF-8 Plain Text
Duration : 1 h 26 min
Bit rate : 41 b/s
Frame rate : 0.185 FPS
Count of elements : 966
Stream size : 26.5 KiB (0%)
Language : English
Default : Yes
Forced : No
Text #2
ID : 7
Format : PGS
Muxing mode : zlib
Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
Duration : 1 h 34 min
Bit rate : 35.3 kb/s
Frame rate : 0.480 FPS
Count of elements : 2736
Stream size : 23.9 MiB (0%)
Language : English
Default : No
Forced : No
Source: The.Blob.1988.2160p.UHD.Blu-ray.Remux.HDR.HEVC.DTS-HD.MA.5.1-RaggaMuffin
Screenshots are not fully representative of the HDR10/10Plus/DV final result, as they were taken from my pc using MPC-HC with tone mapping! If I take the screenshots with my display in HDR, the result is way off, with too much exposure.
So, for now, tone mapping screenshots it is ;)
THIS WAS NOT FILMED IN HFR, it is encoded using high-quality motion interpolation with Real-Time Intermediate Flow Estimation (RIFE).
If you HATE motion interpolation for example, 60fps (smooth motion), then please do us all a favor and hit the back button, because this isn't for you....
If you LOVE smooth motion, then you are in for a treat! :D
Sample included.
English audio and English PGS subtitles included. Enjoy!
Immerse. Experience. Electrify. Discover Hyperreality, with HFR.
Forget the blurry edges of standard frame rates. Imagine a world where action explodes off the screen with crystalline clarity, where emotions flicker across faces with breathtaking detail, where every punch, every pirouette, every bullet whizzes by in hyper-vivid reality. This is the future of cinema, unveiled by High Frame Rate (HFR).
HFR shatters the 24fps glass ceiling, unleashing a torrent of 60 or 120 frames per second, etc. That redefines cinematic immersion. No more motion blur shrouding epic battles, no more missed nuances in delicate performances. Experience a world where reality blurs with fiction, where you're no longer watching a movie, you're living it.
HFR isn't just about speed. It's about precision. It's about capturing the raw beauty and brutality of movement with unmatched fidelity. Witness the intricate choreography of a fight scene, the heart-stopping plunge of a freefall, the tear glistening on a cheek – all with a depth and sharpness that leaves traditional film breathless.
Hollywood is on the cusp of a revolution. Directors like Ang Lee and James Cameron are pioneers, pushing the boundaries of storytelling with HFR's hyper-real lens. From action blockbusters to intimate dramas, this new technology unlocks a universe of possibilities.
Embrace the future. Step into the hyperreality. Demand HFR. Because tomorrow's cinema isn't just watched, it's experienced.
Don't just see the story. Feel it. Breathe it. Live it. HFR
Complete name : The.Blob.1988.2160p.DV.HDR10.Ai-Enhanced.H265.DTS-HD.MA.5.1-RIFE.4.15-60fps-DirtyHippie.mkv
Format : Matroska
Format version : Version 4
File size : 21.1 GiB
Duration : 1 h 35 min
Overall bit rate mode : Variable
Overall bit rate : 31.8 Mb/s
Frame rate : 59.940 FPS
Movie name : The Blob (1988)
Encoded date : 2024-05-31 14:40:03 UTC
Writing application : mkvmerge v84.0 ('Sleeper') 64-bit
Writing library : libebml v1.4.5 + libmatroska v1.7.1 / Lavf61.3.103
VIDEOAI : Enhanced using amq-13
Video
ID : 1
Format : HEVC
Format/Info : High Efficiency Video Coding
Format profile : Main 10@L5.1@Main
HDR format : Dolby Vision, Version 1.0, Profile 8.1, dvhe.08.09, BL+RPU, no metadata compression, HDR10 compatible / SMPTE ST 2086, Version HDR10, HDR10 compatible
Codec ID : V_MPEGH/ISO/HEVC
Duration : 1 h 35 min
Bit rate : 27.3 Mb/s
Width : 3 840 pixels
Height : 2 144 pixels
Display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 59.940 (60000/1001) FPS
Original frame rate : 59.524 FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 10 bits
Bits/(Pixel*Frame) : 0.055
Time code of first frame : 00:59:58:24
Stream size : 18.1 GiB (86%)
Default : Yes
Forced : No
Color range : Limited
Color primaries : BT.2020
Transfer characteristics : PQ
Matrix coefficients : BT.2020 non-constant
Mastering display color primaries : Display P3
Mastering display luminance : min: 0.0001 cd/m2, max: 1000 cd/m2
Maximum Content Light Level : 697
Maximum Frame-Average Light Level : 121
Audio #1
ID : 2
Format : DTS XLL
Format/Info : Digital Theater Systems
Commercial name : DTS-HD Master Audio
Codec ID : A_DTS
Duration : 1 h 35 min
Bit rate mode : Variable
Bit rate : 3 869 kb/s
Channel(s) : 6 channels
Channel layout : C L R Ls Rs LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 SPF)
Bit depth : 24 bits
Compression mode : Lossless
Stream size : 2.57 GiB (12%)
Title : 5.1 Surround Mix
Language : English
Default : Yes
Forced : No
Audio #2
ID : 3
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : A_AC3
Duration : 1 h 35 min
Bit rate mode : Constant
Bit rate : 192 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Bit depth : 32 bits
Compression mode : Lossy
Stream size : 131 MiB (1%)
Title : Commentary With Director Chuck Russell, Cinematographer Mark Irwin, And Special Effects Artist Tony Gardner, Moderated By Filmmaker Joe Lynch
Language : English
Service kind : Complete Main
Default : No
Forced : No
Dialog Normalization : -31 dB
compr : -0.28 dB
dsurmod : Not Dolby Surround encoded
ltrtcmixlev : -3.0 dB
ltrtsurmixlev : -3.0 dB
lorocmixlev : -3.0 dB
lorosurmixlev : -3.0 dB
dialnorm_Average : -31 dB
dialnorm_Minimum : -31 dB
dialnorm_Maximum : -31 dB
Audio #3
ID : 4
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : A_AC3
Duration : 1 h 35 min
Bit rate mode : Constant
Bit rate : 192 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Bit depth : 32 bits
Compression mode : Lossy
Stream size : 131 MiB (1%)
Title : Commentary With Actress Shawnee Smith
Language : English
Service kind : Complete Main
Default : No
Forced : No
Dialog Normalization : -31 dB
compr : -0.28 dB
dsurmod : Not Dolby Surround encoded
ltrtcmixlev : -3.0 dB
ltrtsurmixlev : -3.0 dB
lorocmixlev : -3.0 dB
lorosurmixlev : -3.0 dB
dialnorm_Average : -31 dB
dialnorm_Minimum : -31 dB
dialnorm_Maximum : -31 dB
Audio #4
ID : 5
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : A_AC3
Duration : 1 h 35 min
Bit rate mode : Constant
Bit rate : 192 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Bit depth : 32 bits
Compression mode : Lossy
Stream size : 131 MiB (1%)
Title : Commentary With Chuck Russell and film Producer/Film Historian Ryan Turek [Shout! Factory CE Blu-ray]
Language : English
Service kind : Complete Main
Default : No
Forced : No
Dialog Normalization : -31 dB
dialnorm_Average : -31 dB
dialnorm_Minimum : -31 dB
dialnorm_Maximum : -31 dB
Text #1
ID : 6
Format : UTF-8
Codec ID : S_TEXT/UTF8
Codec ID/Info : UTF-8 Plain Text
Duration : 1 h 26 min
Bit rate : 41 b/s
Frame rate : 0.185 FPS
Count of elements : 966
Stream size : 26.5 KiB (0%)
Language : English
Default : Yes
Forced : No
Text #2
ID : 7
Format : PGS
Muxing mode : zlib
Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
Duration : 1 h 34 min
Bit rate : 35.3 kb/s
Frame rate : 0.480 FPS
Count of elements : 2736
Stream size : 23.9 MiB (0%)
Language : English
Default : No
Forced : No
User comments Sort newest first
by indian007ist
on 2024-06-12 02:06:36
 | This is truly amazing. 80s movies needs better treatment with 4K. Most of the 4K of 80s and 90s movies has too much grain. I hope you will do more on 80s and 90s movies. Thanks a lot |
by Guest-3504
on 2024-06-15 18:23:19
 | Would be great if you could do Big Trouble In Little China? Thanks for all your hard work mate 👍 |
by SaidJr15
on 2024-06-12 20:11:50
| Is it closer or further away from you doing the Alien and Predator franchises?  |
Comments need intelligible text (not only emojis or meaningless drivel).
No upload requests, visit the forum or message the uploader for this.
Use common sense and try to stay on topic.
No upload requests, visit the forum or message the uploader for this.
Use common sense and try to stay on topic.