Torrent details for "Apocalypse.Now.1979.Redux.2160p.DV.HDR10.Ai-Enhanced.H265.DTS-HD.MA.TrueHD.7.1.Atmos-RIFE.4.16.lite-..." Log in to bookmark
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Language:
EnglishTotal Size:
49.75 GB
Info Hash:
d3ae07909cf1628d54d45f175b6db8d50131afb1
Added By:
Added:
08-04-2024 08:37
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Thanks for rating :
Pete6617
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Pete6617
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DL
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999.42 MB
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[64/11]
06/09/20 15:44
Uploaded by GalaxyRG | Size 999.42 MB | Health [64/11] | Added 06/09/20 15:44 |
Title:
Apocalypse Now (1979)
Genre:
Drama, War
Runtime:
147 min - Rating: 8.5
Director:
Cast:
Plot:
It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him. Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz's outpost, beyond the Do Lung Bridge. Now, after becoming prisoners of Kurtz, will Willard & the others be able to fulfill their mission?
Apocalypse Now Redux (1979) 2160p, -- DOLBY VISION in 60FPS !!! :D -- Ai Enhanced from a high quality, 2160p Blu-ray REMUX as the source. I then increased the framerate from the default 24fps, to 60fps via SVP 4 PRO + TensorRT RIFE 4.16 lite :)
This file will fall back to HDR10 if your TV doesn't support Dolby Vision.
Screenshots are not fully representative of the HDR10/10Plus/DV final product, as they were taken from a pc using MPC-HC/madVR with tone mapping! If I take the screenshots with my display in HDR, the results are way off, with too much exposure/saturation.
So, for now, tone mapping screenshots it is ;)
THIS WAS NOT FILMED IN HFR, it is encoded using high-quality motion interpolation with Real-Time Intermediate Flow Estimation (RIFE). If you HATE motion interpolation for example, 60fps (smooth motion), then please do us all a favor and hit the back button, because this isn't for you....
If you LOVE smooth motion, then you are in for a treat! :D
Sample included.
English audio and English, Spanish, and French PGS subtitles included. Enjoy!
DD 5.1 track included for compatibility.
Immerse. Experience. Electrify. Discover Hyperreality, with HFR.
Forget the blurry edges of standard frame rates. Imagine a world where action explodes off the screen with crystalline clarity, where emotions flicker across faces with breathtaking detail, where every punch, every pirouette, every bullet whizzes by in hyper-vivid reality. This is the future of cinema, unveiled by High Frame Rate (HFR).
HFR shatters the 24fps glass ceiling, unleashing a torrent of 60 or 120 frames per second, etc. That redefines cinematic immersion. No more motion blur shrouding epic battles, no more missed nuances in delicate performances. Experience a world where reality blurs with fiction, where you're no longer watching a movie, you're living it.
HFR isn't just about speed. It's about precision. It's about capturing the raw beauty and brutality of movement with unmatched fidelity. Witness the intricate choreography of a fight scene, the heart-stopping plunge of a freefall, the tear glistening on a cheek – all with a depth and sharpness that leaves traditional film breathless.
Hollywood is on the cusp of a revolution. Directors like Ang Lee and James Cameron are pioneers, pushing the boundaries of storytelling with HFR's hyper-real lens. From action blockbusters to intimate dramas, this new technology unlocks a universe of possibilities.
Embrace the future. Step into the hyperreality. Demand HFR. Because tomorrow's cinema isn't just watched, it's experienced.
Don't just see the story. Feel it. Breathe it. Live it. HFR
Complete name : Apocalypse.Now.1979.Redux.2160p.DV.HDR10.Ai-Enhanced.H265.DTS-HD.MA.TrueHD.7.1.Atmos-RIFE.4.16.lite-60fps-DirtyHippie.mkv
Format : Matroska
Format version : Version 4
File size : 49.5 GiB
Duration : 3 h 16 min
Overall bit rate mode : Variable
Overall bit rate : 36.1 Mb/s
Frame rate : 59.940 FPS
Movie name : Apocalypse.Now.1979.Redux.2160p.DV.HDR10.Ai-Enhanced.H265.DTS-HD.MA.TrueHD.7.1.Atmos-RIFE.4.16.lite-60fps-DirtyHippie
Encoded date : 2024-04-08 05:13:01 UTC
Writing application : mkvmerge v83.0 ('Circle Of Friends') 64-bit
Writing library : libebml v1.4.5 + libmatroska v1.7.1 / Lavf60.20.100
VIDEOAI : Enhanced using ahq-12
Video
ID : 1
Format : HEVC
Format/Info : High Efficiency Video Coding
Format profile : Main 10@L5.1@Main
HDR format : Dolby Vision, Version 1.0, Profile 8.1, dvhe.08.09, BL+RPU, no metadata compression, HDR10 compatible / SMPTE ST 2086, Version HDR10, HDR10 compatible
Codec ID : V_MPEGH/ISO/HEVC
Duration : 3 h 16 min
Bit rate : 25.0 Mb/s
Width : 3 840 pixels
Height : 2 144 pixels
Display aspect ratio : 16:9
Original display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 59.940 (60000/1001) FPS
Original frame rate : 59.524 FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 10 bits
Bits/(Pixel*Frame) : 0.051
Stream size : 34.2 GiB (69%)
Default : Yes
Forced : No
Color range : Limited
Color primaries : BT.2020
Transfer characteristics : PQ
Matrix coefficients : BT.2020 non-constant
Mastering display color primaries : Display P3
Mastering display luminance : min: 0.0001 cd/m2, max: 1000 cd/m2
Maximum Content Light Level : 1018
Maximum Frame-Average Light Level : 92
Audio #1
ID : 2
ID in the original source medium : 4352 (0x1100)
Format : MLP FBA 16-ch
Format/Info : Meridian Lossless Packing FBA with 16-channel presentation
Commercial name : Dolby TrueHD with Dolby Atmos
Codec ID : A_TRUEHD
Duration : 3 h 16 min
Bit rate mode : Variable
Bit rate : 5 935 kb/s
Maximum bit rate : 7 701 kb/s
Channel(s) : 8 channels
Channel layout : L R C LFE Ls Rs Lb Rb
Sampling rate : 48.0 kHz
Frame rate : 1 200.000 FPS (40 SPF)
Bit depth : 24 bits
Compression mode : Lossless
Stream size : 8.13 GiB (16%)
Title : TrueHD 7.1 Atmos
Language : English
Default : Yes
Forced : No
Original source medium : Blu-ray
Number of dynamic objects : 11
Bed channel count : 1 channel
Bed channel configuration : LFE
Audio #2
ID : 3
Format : DTS XLL
Format/Info : Digital Theater Systems
Commercial name : DTS-HD Master Audio
Codec ID : A_DTS
Duration : 3 h 16 min
Bit rate mode : Variable
Bit rate : 4 581 kb/s
Channel(s) : 8 channels
Channel layout : C L R LFE Lb Rb Lss Rss
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 SPF)
Bit depth : 24 bits
Compression mode : Lossless
Stream size : 6.27 GiB (13%)
Title : DTS-HD MA 7.1
Language : English
Default : No
Forced : No
Audio #3
ID : 4
ID in the original source medium : 4352 (0x1100)
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : A_AC3
Duration : 3 h 16 min
Bit rate mode : Constant
Bit rate : 448 kb/s
Channel(s) : 6 channels
Channel layout : L R C LFE Ls Rs
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Bit depth : 32 bits
Compression mode : Lossy
Stream size : 628 MiB (1%)
Title : DD 5.1
Language : English
Service kind : Complete Main
Default : No
Forced : No
Original source medium : Blu-ray
AC3_metadata cmixlev : -3.0 dB
surmixlev : -3 dB
Text #1
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Language : English
Default : Yes
Forced : No
Text #2
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Format : UTF-8
Codec ID : S_TEXT/UTF8
Codec ID/Info : UTF-8 Plain Text
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Duration : 3 h 11 min
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Language : English
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Original source medium : Blu-ray
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Duration : 3 h 14 min
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Muxing mode : zlib
Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
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Language : Spanish
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Original source medium : Blu-ray
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Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
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Frame rate : 0.344 FPS
Count of elements : 3940
Stream size : 48.3 MiB (0%)
Language : French
Default : No
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Original source medium : Blu-ray
This file will fall back to HDR10 if your TV doesn't support Dolby Vision.
Screenshots are not fully representative of the HDR10/10Plus/DV final product, as they were taken from a pc using MPC-HC/madVR with tone mapping! If I take the screenshots with my display in HDR, the results are way off, with too much exposure/saturation.
So, for now, tone mapping screenshots it is ;)
THIS WAS NOT FILMED IN HFR, it is encoded using high-quality motion interpolation with Real-Time Intermediate Flow Estimation (RIFE). If you HATE motion interpolation for example, 60fps (smooth motion), then please do us all a favor and hit the back button, because this isn't for you....
If you LOVE smooth motion, then you are in for a treat! :D
Sample included.
English audio and English, Spanish, and French PGS subtitles included. Enjoy!
DD 5.1 track included for compatibility.
Immerse. Experience. Electrify. Discover Hyperreality, with HFR.
Forget the blurry edges of standard frame rates. Imagine a world where action explodes off the screen with crystalline clarity, where emotions flicker across faces with breathtaking detail, where every punch, every pirouette, every bullet whizzes by in hyper-vivid reality. This is the future of cinema, unveiled by High Frame Rate (HFR).
HFR shatters the 24fps glass ceiling, unleashing a torrent of 60 or 120 frames per second, etc. That redefines cinematic immersion. No more motion blur shrouding epic battles, no more missed nuances in delicate performances. Experience a world where reality blurs with fiction, where you're no longer watching a movie, you're living it.
HFR isn't just about speed. It's about precision. It's about capturing the raw beauty and brutality of movement with unmatched fidelity. Witness the intricate choreography of a fight scene, the heart-stopping plunge of a freefall, the tear glistening on a cheek – all with a depth and sharpness that leaves traditional film breathless.
Hollywood is on the cusp of a revolution. Directors like Ang Lee and James Cameron are pioneers, pushing the boundaries of storytelling with HFR's hyper-real lens. From action blockbusters to intimate dramas, this new technology unlocks a universe of possibilities.
Embrace the future. Step into the hyperreality. Demand HFR. Because tomorrow's cinema isn't just watched, it's experienced.
Don't just see the story. Feel it. Breathe it. Live it. HFR
Complete name : Apocalypse.Now.1979.Redux.2160p.DV.HDR10.Ai-Enhanced.H265.DTS-HD.MA.TrueHD.7.1.Atmos-RIFE.4.16.lite-60fps-DirtyHippie.mkv
Format : Matroska
Format version : Version 4
File size : 49.5 GiB
Duration : 3 h 16 min
Overall bit rate mode : Variable
Overall bit rate : 36.1 Mb/s
Frame rate : 59.940 FPS
Movie name : Apocalypse.Now.1979.Redux.2160p.DV.HDR10.Ai-Enhanced.H265.DTS-HD.MA.TrueHD.7.1.Atmos-RIFE.4.16.lite-60fps-DirtyHippie
Encoded date : 2024-04-08 05:13:01 UTC
Writing application : mkvmerge v83.0 ('Circle Of Friends') 64-bit
Writing library : libebml v1.4.5 + libmatroska v1.7.1 / Lavf60.20.100
VIDEOAI : Enhanced using ahq-12
Video
ID : 1
Format : HEVC
Format/Info : High Efficiency Video Coding
Format profile : Main 10@L5.1@Main
HDR format : Dolby Vision, Version 1.0, Profile 8.1, dvhe.08.09, BL+RPU, no metadata compression, HDR10 compatible / SMPTE ST 2086, Version HDR10, HDR10 compatible
Codec ID : V_MPEGH/ISO/HEVC
Duration : 3 h 16 min
Bit rate : 25.0 Mb/s
Width : 3 840 pixels
Height : 2 144 pixels
Display aspect ratio : 16:9
Original display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 59.940 (60000/1001) FPS
Original frame rate : 59.524 FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 10 bits
Bits/(Pixel*Frame) : 0.051
Stream size : 34.2 GiB (69%)
Default : Yes
Forced : No
Color range : Limited
Color primaries : BT.2020
Transfer characteristics : PQ
Matrix coefficients : BT.2020 non-constant
Mastering display color primaries : Display P3
Mastering display luminance : min: 0.0001 cd/m2, max: 1000 cd/m2
Maximum Content Light Level : 1018
Maximum Frame-Average Light Level : 92
Audio #1
ID : 2
ID in the original source medium : 4352 (0x1100)
Format : MLP FBA 16-ch
Format/Info : Meridian Lossless Packing FBA with 16-channel presentation
Commercial name : Dolby TrueHD with Dolby Atmos
Codec ID : A_TRUEHD
Duration : 3 h 16 min
Bit rate mode : Variable
Bit rate : 5 935 kb/s
Maximum bit rate : 7 701 kb/s
Channel(s) : 8 channels
Channel layout : L R C LFE Ls Rs Lb Rb
Sampling rate : 48.0 kHz
Frame rate : 1 200.000 FPS (40 SPF)
Bit depth : 24 bits
Compression mode : Lossless
Stream size : 8.13 GiB (16%)
Title : TrueHD 7.1 Atmos
Language : English
Default : Yes
Forced : No
Original source medium : Blu-ray
Number of dynamic objects : 11
Bed channel count : 1 channel
Bed channel configuration : LFE
Audio #2
ID : 3
Format : DTS XLL
Format/Info : Digital Theater Systems
Commercial name : DTS-HD Master Audio
Codec ID : A_DTS
Duration : 3 h 16 min
Bit rate mode : Variable
Bit rate : 4 581 kb/s
Channel(s) : 8 channels
Channel layout : C L R LFE Lb Rb Lss Rss
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 SPF)
Bit depth : 24 bits
Compression mode : Lossless
Stream size : 6.27 GiB (13%)
Title : DTS-HD MA 7.1
Language : English
Default : No
Forced : No
Audio #3
ID : 4
ID in the original source medium : 4352 (0x1100)
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : A_AC3
Duration : 3 h 16 min
Bit rate mode : Constant
Bit rate : 448 kb/s
Channel(s) : 6 channels
Channel layout : L R C LFE Ls Rs
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Bit depth : 32 bits
Compression mode : Lossy
Stream size : 628 MiB (1%)
Title : DD 5.1
Language : English
Service kind : Complete Main
Default : No
Forced : No
Original source medium : Blu-ray
AC3_metadata cmixlev : -3.0 dB
surmixlev : -3 dB
Text #1
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Format : UTF-8
Codec ID : S_TEXT/UTF8
Codec ID/Info : UTF-8 Plain Text
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Bit rate : 53 b/s
Frame rate : 0.171 FPS
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Stream size : 75.3 KiB (0%)
Language : English
Default : Yes
Forced : No
Text #2
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Format : UTF-8
Codec ID : S_TEXT/UTF8
Codec ID/Info : UTF-8 Plain Text
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Title : SDH
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ID in the original source medium : 4768 (0x12A0)
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Bit rate : 37.3 kb/s
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Duration : 3 h 11 min
Bit rate : 35.0 kb/s
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Count of elements : 4088
Stream size : 47.9 MiB (0%)
Language : Spanish
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Original source medium : Blu-ray
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Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
Duration : 3 h 11 min
Bit rate : 35.4 kb/s
Frame rate : 0.344 FPS
Count of elements : 3940
Stream size : 48.3 MiB (0%)
Language : French
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User comments Sort newest first
by Guest-6016
on 2024-04-09 23:45:29
 | Your uploads have errors caused by your encode choices, and those errors are created by you because those errors do not exist on the UHD Blu Rays or REMUX sources. People have then pointed those errors out and time and time again your response has been that they're a troll for doing so. Do you not think that your choice of encode settings that cause the same errors over and over again and a claim that HFR is better in each description is the true troll here? " Immerse. Experience. Electrify. Discover Hyperreality, with HFR." and " Don't just see the story. Feel it. Breathe it. Live it. HFR" Immerse yourself in what, Chesley? color banding errors? motion artifact errors? Don't just see the errors. feel it breathe it live it? Well you truly are living it aren't you. All this HFR write up nonsense and your source files are 24p You deserve credit for uploading to the community though and for uploading the community requests I won't take that from you, but your approach at times is just as questionable as your choice of encode settings... as is your conscious awareness of the playback errors you cause. |
by chesley96
on 2024-04-08 09:13:45
 | What do you have against AI? It's quite incredible what it can do if you haven't noticed. Hence, all the hype. Just so you know, I am happily going to process Dune PT.2 with AI, just as soon as a quality source arrives.  Patience is a virtue ;) |
Like 1
Liked by - zoutzak
by Guest-2211
on 2024-04-08 18:58:08
| There already is a original 4K HDR version of this film which I've seen and looks incredible so what's the bloody use of all these Ai enhanced releases? If it looks as bad an waxy as the official True Lies Ai enchanced 4K verrsion I think we can safely say we're better off without those Ai releases. |
Like 0
by Guest-1409
on 2024-04-08 22:33:11
| AI is ok for upscalling but for 24 to 60 frame encodes it looks sh*t |
Like 0
by Guest-2964
on 2024-04-08 13:03:05
| What's the point in generating files like this when everyone can just activate frame interpolation in their system ? |
by Guest-3415
on 2024-04-10 11:26:17
| There is no point, I have tested this vs regular FPS release on my display with frame interpolation turned on and off and the results were the same. |
Like 0
by chesley96
on 2024-04-10 22:07:22
| Because it's not RIFE. Because your Tv does not have the processing power for QUALITY interpolation. And, guest-3415. You are wrong, there is a massive difference. If you can't tell, then I don't know what to tell you. |
Like 0
by Apollo1501
on 2024-04-09 02:03:13
 | Could you bring "the revenant" to 60fps? It would be incredible! Great job. |
by Guest-1606
on 2024-04-08 21:34:42
| chesley96 your the shit for real! awesome job on the quality. any requests or chance of doing the newest planet of the apes trilogy or any heavily CGI movies? i think thas where these high quality renders really shine. thanks anyways! |
by chesley96
on 2024-04-08 22:28:33
| Thanks!  I will do the new new planet of the apes trilogy as well! And have plans for many more movies such as you speak of ;) |
Like 0
by Guest-1529
on 2024-04-08 17:54:44
| Your dedication knows no bounds and is only to be commended. How do you add HDR to your encodes? BTW, have you tried out the new feature available through the studio Nvidia driver on all RTX series GPUs from 30xx up enabling the upscale of HD source material on the fly as well the conversion of SDR material to HDR? I do not know if it works with MPC-HC, though. |
by chesley96
on 2024-04-08 21:09:21
| Thank you! I preserve the HDR10 through SVP 4 PRO by adding these commands; color_primaries=bt2020,color_trc=smpte2084,colorspace=bt2020nc. After that, I run it through Davinci Resolve Studio, generating frame by frame DV/HDR10Plus metadata from scratch. I then inject the metadata using DoVi Scripts or DDVT. |
Like 0
by chesley96
on 2024-04-08 21:12:30
| As well, I have played with the RTX HDR, pretty cool! But haven't tried the upscaling. MPC-HC does support RTX HDR and Super Resolution, through MPC Video Renderer. :) |
Like 0
by Guest-6969
on 2024-04-08 21:58:31
| Thank you so much for your feedback. Yes, Davinci Resolve is on my wish list along with Topaz, but first I need to upgrade my rig. I am looking at an outlay of more than $ 2,500 for the PC alone but I just cannot wait to jump on the AI bandwagon. RTX HDR is an added bonus. Your excellent encodes are an inspiration! |
Like 1
Liked by - chesley96
by chesley96
on 2024-04-08 22:30:27
| No problem! I hope you get your upgrades soon, that's always exciting :) Thanks again and I'm happy you are enjoying them! |
Like 0
by zeuscs
on 2024-04-08 10:33:53
| Thanks Chesley for the upload! 🙌 Your recent posts have got me feeling all kinds of nostalgia with those classic movies. 🎥 They're bringing back some amazing memories. Can't wait for the next one! 🍿 |
by chesley96
on 2024-04-08 17:56:21
| My pleasure! Glad to read it :D Thank you for the comment! |
Like 0
by Guest-4485
on 2024-04-08 10:15:01
| Xmas just came early seeing this movie on the list, and it's the REDUX, these enhancements you do are top locker chesley. |
Comments need intelligible text (not only emojis or meaningless drivel).
No upload requests, visit the forum or message the uploader for this.
Use common sense and try to stay on topic.
No upload requests, visit the forum or message the uploader for this.
Use common sense and try to stay on topic.