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05-01-2024 18:12
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Title:
Planet of the Apes (1968)
Genre:
Adventure, Sci-Fi
Runtime:
112 min - Rating: 8
Director:
Cast:
Plot:
Taylor and two other astronauts come out of deep hibernation to find that their ship has crashed. Escaping with little more than clothes they find that they have landed on a planet where men are pre-lingual and uncivilized while apes have learned speech and technology. Taylor is captured and taken to the city of the apes after damaging his throat so that he is silent and cannot communicate with the apes.
Ai upscaled from a 1080p bluray source, then increased framerate to 60fps via TensorRT Rife v4.12v2.
(Testing new rife model 4.12v2)
English audio and Multilingual subtitles included.
TensorRT RIFE motion interpolation is a combination of TensorRT and RIFE that enables real-time video frame interpolation with high quality. It is a TensorRT plugin for Vapoursynth, a video processing framework, that can be used for both transcoding and real-time playback modes. The interpolation quality, performance, and memory usage are determined by the AI model used. Model 4.6 provides higher quality but is slower than model 4.4, which requires less memory.
The frame rate of a film is the number of still images that are displayed per second to create the illusion of motion. The higher the frame rate, the smoother the playback, and the more realistic the motion appears. Here are some differences between 24, 30, 48, 60FPS in movies:
24 FPS: This is the standard frame rate for movies. It is good for creating a cinematic experience and is not suitable for gaming. However, it can appear choppy during fast-paced action scenes.
30 FPS: This frame rate is commonly used in television broadcasts and is suitable for creating a smooth and natural-looking video.
48 FPS: This frame rate is used in some movies to create a more immersive and realistic experience. It provides smoother playback and is ideal for action-packed scenes.
60 FPS: This is the standard frame rate for video playback and has been the standard for more than 30 years. It provides a smooth and comfortable viewing experience.
We are no longer bound by the technological restrictions created by old, grainy, low frequency, and low frame rate cameras and TV's.
Early silent films had frame rates from 14 – 26 frames per second, which was enough to provide a sense of motion, but the motion was often jerky or uneven. You can imagine how film cranked by hand when photographed, and then cranked by hand again when projected, would make it nearly impossible to portray true-to-life motion.
Late in this period, motion picture cameras and projectors developed mechanized cranks, which allowed for constant speeds of recording and projection. Even so, individual scenes were oftentimes filmed and projected at varying frame rates due to filmmakers favoring different speeds for different scenes (usually between 18 and 23 fps). Often film reels were delivered with instructions as to how fast or slow each scene should be shown. Additionally, exhibitors and projectionists favored certain frame rates as well, creating further inconsistency. 24 fps was an economical and technical decision.
What changed everything was sound synchronization. Synchronizing sound with film was attempted as early as 1900, but the technology was too unreliable for major motion pictures. By the late 20s, it became possible to sync sound using a phonograph or similar device, interlocked mechanically with a projector. The first "talkie", a film with recorded dialogue, used this method, set at 24 fps. It was 1927s The Jazz Singer.
Eventually, sound was synced to film by actually printing an optical track on the filmstrip alongside the image. This practice linked frame rate to the limitations of audio technology of the time. Given that film is an expensive medium, it was in Hollywood’s best interest to consume as little film as possible during a production. Although silent films ran at an average of 16 fps, it wasn’t possible to produce a quality soundtrack at that frame rate. Eventually, the studios decided on 24 fps because it was the SLOWEST frame rate possible for producing intelligible sound, which means the decision was not an aesthetic decision, but a technical and economical decision.
Complete name : Planet.Of.The.Apes.1968.2160p.Ai-Upscaled.DTS-HD.MA.5.1.10Bit.H265-DirtyHippie.rife4.12v2-60fps.mkv
Format : Matroska
Format version : Version 4
File size : 18.1 GiB
Duration : 1 h 52 min
Overall bit rate mode : Variable
Overall bit rate : 23.1 Mb/s
Frame rate : 59.940 FPS
Movie name : Planet.Of.The.Apes.1968.2160p.Ai-Upscaled-DirtyHippie-60fps
Encoded date : 2024-01-05 17:34:20 UTC
Writing application : mkvmerge v82.0 ('I'm The President') 64-bit
Writing library : libebml v1.4.5 + libmatroska v1.7.1 / Lavf60.14.101
VIDEOAI : Enhanced using prob-3; mode: relative to auto; revert compression at 16.3434; recover details at 13.728499999999999; sharpen at 29; reduce noise at 69; dehalo at 5.48466; and anti-alias/deblur at 8. Changed resolution to 3840x2160
Video
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Format : HEVC
Format/Info : High Efficiency Video Coding
Format profile : Main 10@L5.1@Main
Codec ID : V_MPEGH/ISO/HEVC
Duration : 1 h 52 min
Bit rate : 20.2 Mb/s
Width : 3 840 pixels
Height : 2 144 pixels
Display aspect ratio : 16:9
Active height : 1 633 pixels
Active display aspect ratio : 2.35:1
Frame rate mode : Variable
Frame rate : 59.940 FPS
Original frame rate : 59.524 FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 10 bits
Bits/(Pixel*Frame) : 0.041
Stream size : 15.8 GiB (88%)
Language : English
Default : No
Forced : No
Color range : Limited
Matrix coefficients : BT.709
Audio #1
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Format : DTS XLL
Format/Info : Digital Theater Systems
Commercial name : DTS-HD Master Audio
Codec ID : A_DTS
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Bit rate mode : Variable
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Channel(s) : 6 channels
Channel layout : C L R Ls Rs LFE
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Language : English
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Audio #2
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Format/Info : Audio Coding 3
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Codec ID : A_AC3
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Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Compression mode : Lossy
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Title : English Actors Commentary
Language : English
Service kind : Complete Main
Default : No
Forced : No
Audio #3
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Format : AC-3
Format/Info : Audio Coding 3
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Codec ID : A_AC3
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Bit rate mode : Constant
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Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Compression mode : Lossy
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Title : English Composer Commentary
Language : English
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Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
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Frame rate : 0.286 FPS
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Language : Korean
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Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
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Count of elements : 1529
Stream size : 38.4 MiB (0%)
Title : English Text Commentary
Language : English
Default : No
Forced : No
(Testing new rife model 4.12v2)
English audio and Multilingual subtitles included.
TensorRT RIFE motion interpolation is a combination of TensorRT and RIFE that enables real-time video frame interpolation with high quality. It is a TensorRT plugin for Vapoursynth, a video processing framework, that can be used for both transcoding and real-time playback modes. The interpolation quality, performance, and memory usage are determined by the AI model used. Model 4.6 provides higher quality but is slower than model 4.4, which requires less memory.
The frame rate of a film is the number of still images that are displayed per second to create the illusion of motion. The higher the frame rate, the smoother the playback, and the more realistic the motion appears. Here are some differences between 24, 30, 48, 60FPS in movies:
24 FPS: This is the standard frame rate for movies. It is good for creating a cinematic experience and is not suitable for gaming. However, it can appear choppy during fast-paced action scenes.
30 FPS: This frame rate is commonly used in television broadcasts and is suitable for creating a smooth and natural-looking video.
48 FPS: This frame rate is used in some movies to create a more immersive and realistic experience. It provides smoother playback and is ideal for action-packed scenes.
60 FPS: This is the standard frame rate for video playback and has been the standard for more than 30 years. It provides a smooth and comfortable viewing experience.
We are no longer bound by the technological restrictions created by old, grainy, low frequency, and low frame rate cameras and TV's.
Early silent films had frame rates from 14 – 26 frames per second, which was enough to provide a sense of motion, but the motion was often jerky or uneven. You can imagine how film cranked by hand when photographed, and then cranked by hand again when projected, would make it nearly impossible to portray true-to-life motion.
Late in this period, motion picture cameras and projectors developed mechanized cranks, which allowed for constant speeds of recording and projection. Even so, individual scenes were oftentimes filmed and projected at varying frame rates due to filmmakers favoring different speeds for different scenes (usually between 18 and 23 fps). Often film reels were delivered with instructions as to how fast or slow each scene should be shown. Additionally, exhibitors and projectionists favored certain frame rates as well, creating further inconsistency. 24 fps was an economical and technical decision.
What changed everything was sound synchronization. Synchronizing sound with film was attempted as early as 1900, but the technology was too unreliable for major motion pictures. By the late 20s, it became possible to sync sound using a phonograph or similar device, interlocked mechanically with a projector. The first "talkie", a film with recorded dialogue, used this method, set at 24 fps. It was 1927s The Jazz Singer.
Eventually, sound was synced to film by actually printing an optical track on the filmstrip alongside the image. This practice linked frame rate to the limitations of audio technology of the time. Given that film is an expensive medium, it was in Hollywood’s best interest to consume as little film as possible during a production. Although silent films ran at an average of 16 fps, it wasn’t possible to produce a quality soundtrack at that frame rate. Eventually, the studios decided on 24 fps because it was the SLOWEST frame rate possible for producing intelligible sound, which means the decision was not an aesthetic decision, but a technical and economical decision.
Complete name : Planet.Of.The.Apes.1968.2160p.Ai-Upscaled.DTS-HD.MA.5.1.10Bit.H265-DirtyHippie.rife4.12v2-60fps.mkv
Format : Matroska
Format version : Version 4
File size : 18.1 GiB
Duration : 1 h 52 min
Overall bit rate mode : Variable
Overall bit rate : 23.1 Mb/s
Frame rate : 59.940 FPS
Movie name : Planet.Of.The.Apes.1968.2160p.Ai-Upscaled-DirtyHippie-60fps
Encoded date : 2024-01-05 17:34:20 UTC
Writing application : mkvmerge v82.0 ('I'm The President') 64-bit
Writing library : libebml v1.4.5 + libmatroska v1.7.1 / Lavf60.14.101
VIDEOAI : Enhanced using prob-3; mode: relative to auto; revert compression at 16.3434; recover details at 13.728499999999999; sharpen at 29; reduce noise at 69; dehalo at 5.48466; and anti-alias/deblur at 8. Changed resolution to 3840x2160
Video
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Format : HEVC
Format/Info : High Efficiency Video Coding
Format profile : Main 10@L5.1@Main
Codec ID : V_MPEGH/ISO/HEVC
Duration : 1 h 52 min
Bit rate : 20.2 Mb/s
Width : 3 840 pixels
Height : 2 144 pixels
Display aspect ratio : 16:9
Active height : 1 633 pixels
Active display aspect ratio : 2.35:1
Frame rate mode : Variable
Frame rate : 59.940 FPS
Original frame rate : 59.524 FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 10 bits
Bits/(Pixel*Frame) : 0.041
Stream size : 15.8 GiB (88%)
Language : English
Default : No
Forced : No
Color range : Limited
Matrix coefficients : BT.709
Audio #1
ID : 2
Format : DTS XLL
Format/Info : Digital Theater Systems
Commercial name : DTS-HD Master Audio
Codec ID : A_DTS
Duration : 1 h 52 min
Bit rate mode : Variable
Bit rate : 2 312 kb/s
Channel(s) : 6 channels
Channel layout : C L R Ls Rs LFE
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 SPF)
Bit depth : 24 bits
Compression mode : Lossless
Stream size : 1.81 GiB (10%)
Language : English
Default : Yes
Forced : No
Audio #2
ID : 3
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : A_AC3
Duration : 1 h 52 min
Bit rate mode : Constant
Bit rate : 224 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Compression mode : Lossy
Stream size : 180 MiB (1%)
Title : English Actors Commentary
Language : English
Service kind : Complete Main
Default : No
Forced : No
Audio #3
ID : 4
Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : A_AC3
Duration : 1 h 52 min
Bit rate mode : Constant
Bit rate : 224 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Compression mode : Lossy
Stream size : 180 MiB (1%)
Title : English Composer Commentary
Language : English
Service kind : Complete Main
Default : No
Forced : No
Text #1
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Format : PGS
Muxing mode : zlib
Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
Duration : 1 h 50 min
Bit rate : 44.5 kb/s
Frame rate : 0.296 FPS
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Language : English
Default : No
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Text #2
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Codec ID : S_HDMV/PGS
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
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Language : Spanish
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Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
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Language : Chinese
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Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
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Frame rate : 0.229 FPS
Count of elements : 1529
Stream size : 38.4 MiB (0%)
Title : English Text Commentary
Language : English
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User comments Sort newest first
by Guest-7689
on 2024-01-06 15:45:46
 | Hello, friend. It's a pity you feel this way about 24p (personally I prefer 23.978p). I found the upscale to be quite good, except for the 60p, which looks quite unnatural to my eyes, not only for the soap opera effect but also for the appearance of the image looking accelerated. I guess the problem is because it's an artificial alteration of the original frame rate, I don't know. Anyway, it would be fantastic if you would release both kinds, but of course it's your choice. I only hope that someday you change your mind. Cheers. |
by chesley96
on 2024-01-07 07:11:17
 | Hello, Guest-7689. When I say 24p, I'm rounding it up. It's a 0.022fps difference, imperceptible. Thank you for the constructive review. And thank you for using subjective statements. Unfortunately, I can't afford to release two copies of each movie. There's more than enough 24p content out there, IMO. |
Like 0
by CapedBaldy69
on 2024-01-30 16:29:03
 | Hi everyone. Personally am not a fan of 60fps movies(only when framerate artificially increased), as for upscaling, I don't really mind and occasionally use FSR myself. But I just don't get why y'all are hating on this guy. Clearly many people prefer 60fps movies and chesley96 here is is providing just that. 24fps movies are literally everywhere(almost every encode out there), but y'all still have to come here and gang up on this guy. Don't like 60fps? I mean...it's clearly mentioned in the title, so maybe just get another encode and stop leaving negative comments on a release that you are not even planning to download, let alone watch. Also if y'all think 60fps looks bad, clearly you haven't seen some of the 144fps content available out there, cuz that sh*t will make you faint if 60fps makes you feel this way . chesley96 just ignore these haters, know that there are many who appreciate what you do |
by chesley96
on 2024-01-30 17:21:56
| Thank you, CapedBaldy69! I appreciate the comment.  |
Like 1
Liked by - CapedBaldy69
by Guest-1925
on 2024-01-05 22:26:47
| Thankyou so very much for this. Been waiting for a AI UPSCALE of this6 for a long time. If you ever get a chance,would you please consider doing "The Long Good Friday" 1980. Which I consider the best Gangster film of all time. Thanks in advance,and for all the Ai upscales you bring to us.I Am very grateful.. |
by chesley96
on 2024-01-06 03:49:09
| You're welcome! I have never seen that movie and will be happy to do that one. Thank you for the suggestion. And thank you for the kind words. |
Like 1
Liked by - homer
by NascarDog
on 2024-01-05 20:38:06
 | Dirty Harry at 60 fps had major soap opera effect and spoiled it. Hopefully Planet of the Apes at 60 fps is not that bad. Best to leave these old classics at the fps they were filmed in. |
by chesley96
on 2024-01-06 03:36:34
| That's your opinion. Not mine. You call it Soap opera effect. I call it realistic. If you want choppy blurry 24fps, then look elsewhere or upscale them yourself. I don't do 24fps as I don't watch ANYTHING with choppy motion. I'm only here for likeminded individuals that prefer a more natural, smooth motion. |
Like 1
Liked by - CharlieBrown
by Guest-3058
on 2024-01-06 06:11:50
| There is nothing natural about this motion at 60 at all. You're using 24 frame source files, so all you're doing is causing weird artefacts in fast-paced scenes. Slow it down and check for yourself. It's called the 'Soap Opera Effect'. |
Like 1
Liked by - Muvifrik23
by Dreamstate
on 2024-01-07 00:26:15
| Have you not gone through your releases at one frame at a time to see what your software does to the objects on screen? It morphs them into weird distorted shapes. Peoples faces squish and expand, hands elongate, fingers elongate, objects stretch. The human eye catches this weirdness and your brain notices. Ruined. |
Like 1
Liked by - Muvifrik23
by Guest-9434
on 2024-05-14 02:33:08
| Bro where is the sequels, this is literally the best print I've ever seen of this film, I can't go back to the original now |
by Guest-1627
on 2024-02-08 11:44:12
| i can't stand ungrateful people, Chesley, thank you bro, there are many of us who like 60fps, keep doing what you doing brother |
by Guest-2201
on 2024-01-06 07:30:34
| Not for me this 60fps for movies I downloaded a few others and this and they all just look bad to me. Thanks for the effort tho maybe do them in 24fps? |
by chesley96
on 2024-01-06 08:01:33
| There's obviously a lot of you that don't like motion interpolation, but there is also a lot that do. Those are the ones I'm here for. I'm passionate about making them better, and to me, smooth is better. Sorry it's not to your liking. |
Like 0
by chesley96
on 2024-01-06 10:03:07
| @Guest-3111 I was being generous to a commentor that asked for a 24fps release, nicely. That is, until enough derogatory comments, consisting of trolling over motion interpolation, made me decide not to. I'm doing this because I enjoy doing it, not to take flak from detractors. Definitely not to do their bidding. |
Like 0
by Guest-1756
on 2024-01-06 06:16:54
| You have NOT been trolled at all @Chelsey96 Just because people have pointed out the 'TRUIE' flaws in using 24 frame source files being transcoded to 60 frames - that don't = trollin' You're just being stubborn for no reason of your own because even though time and time again people have been polite and said not to take offence, you clearly have taken offence. |
by Dreamstate
on 2024-01-07 00:30:37
| Your motion interpolation is garbage and so is the end result. You refuse to admit that there's motion artifacts from this interpolation. |
Like 1
Liked by - Muvifrik23
by chesley96
on 2024-01-07 07:29:25
| Did you not see it says 60fps in the title? It doesn't suffer, it flourishes, beautiful smooth motion, with the occasional artifact. If it wasn't for people like you giving Peter Jackson flak, he would have changed the game. He obviously knows it's more natural at a higher framerate, and he's a director. meh.. lol |
Like 0
by Guest-3822
on 2024-01-06 19:25:53
| Thank you for your effort. But unfortunately, the 60fps is a bad move. The 2160p is great, but the frame rate choice ruins it. |
by Guest-1372
on 2024-01-05 19:55:35
| For this film it should be 4K HDR10+ DV but that's all we have. |
by chesley96
on 2024-01-05 20:23:36
| I do plan on incorporating HDR10+ and DV in the future. As of yet, I haven't found a reliable method of doing so. But I doubt that it will be the case for long. |
Like 0
by CharlieBrown
on 2024-01-05 19:06:14
 | Thank You ! I love all the upscaling. ( I am testing Topaz myself ) And thank you for using DTS XL |
by chesley96
on 2024-01-05 19:33:51
| My pleasure! Thank you! Topaz is pretty awesome. I always try to find the best source I can, with the best video and audio to start from. |
Like 1
Liked by - CharlieBrown
by Guest-9262
on 2024-01-07 03:19:38
| All I see is a stubborn individual who thinks they're always right and if anyone dare criticize or question their methods or what they do, then they're automatically a troll. Time and time again I have seen people ask politely for 24Hz* or state that they gave 60Hz a go but did not like the soap opera effect motion and to please stick with the source framerate. I'm not trolling here, I am making an observation and asking a serious question - why would this or the others be trolling? |
by chesley96
on 2024-01-07 03:51:03
| It's not about what's right. This is a purely subjective matter. Do you people not understand the words I'm typing? The trolling at hand is certain people against motion interpolation that have no intention of downloading, only here to talk shit. I do it the way I want because I prefer motion interpolation over 24fps. |
Like 1
Liked by - enuffsaid
by Superbikemike
on 2024-01-09 17:08:03
 | all i see is some self righteous troll who wants everything but refuses to get a encoder and so it himself instead of crying like a lil btch ....  |
Like 4
by Guest-5446
on 2024-01-06 06:52:17
| Is there a way to not lose so much grain detail in these upscales? It makes the faces looks so unrealistic. |
by chesley96
on 2024-01-06 07:22:51
| I remove it on purpose, I'm sorry that is not to your liking. Thank you for giving genuine criticism, not only based on the framerate I choose. |
Like 0
by Dreamstate
on 2024-01-07 00:29:23
| That's just another reason not to do it. You're removing detail from characters faces. Then distorting their faces during fast movements with this frame doubling/animating. Software simply can't animate like a human. It ruins the objects it animates. Period. You have no idea what you're doing. |
Like 1
Liked by - Muvifrik23
by chesley96
on 2024-01-07 02:18:01
| @Dreamstate Why are you so perturbed? You're obviously offended by what I do. You've made it clear you don't like my encodes, and have no intention of watching them, so GTFO, and troll someone else. |
Like 0
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No upload requests, visit the forum or message the uploader for this.
Use common sense and try to stay on topic.