Torrent details for "Gone.with.the.Wind.1939.2160p.Ai-Upscaled.MULTI.DTS-HD.MA.TrueHD.5.1-DirtyHippie.rife4.9v2-60fps" Log in to bookmark
Name:
Controls:
Language:
EnglishTotal Size:
45.30 GB
Info Hash:
0cd9767d871f52cf6aeebcf676cdaca5648bf8e4
Added By:
Added:
03-01-2024 19:13
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Thanks for rating :
enuffsaid (5),
enuffsaid (5),
Title:
Gone with the Wind (1939)
Genre:
Drama, History, Romance, War
Runtime:
238 min - Rating: 8.1
Director:
Plot:
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.
Ai upscaled from a quality 1080p bluray source, then increased framerate to 60fps via TensorRT Rife v4.9v2.
(Testing new rife model 4.9v2)
Multilingual audio and Multilingual subtitles included. With overture/intermission as per request.
TensorRT RIFE motion interpolation is a combination of TensorRT and RIFE that enables real-time video frame interpolation with high quality. It is a TensorRT plugin for Vapoursynth, a video processing framework, that can be used for both transcoding and real-time playback modes. The interpolation quality, performance, and memory usage are determined by the AI model used. Model 4.6 provides higher quality but is slower than model 4.4, which requires less memory.
The frame rate of a film is the number of still images that are displayed per second to create the illusion of motion. The higher the frame rate, the smoother the playback, and the more realistic the motion appears. Here are some differences between 24, 30, 48, 60FPS in movies:
24 FPS: This is the standard frame rate for movies. It is good for creating a cinematic experience and is not suitable for gaming. However, it can appear choppy during fast-paced action scenes.
30 FPS: This frame rate is commonly used in television broadcasts and is suitable for creating a smooth and natural-looking video.
48 FPS: This frame rate is used in some movies to create a more immersive and realistic experience. It provides smoother playback and is ideal for action-packed scenes.
60 FPS: This is the standard frame rate for video playback and has been the standard for more than 30 years. It provides a smooth and comfortable viewing experience.
We are no longer bound by the technological restrictions created by old, grainy, low frequency, and low frame rate cameras and TV's.
Early silent films had frame rates from 14 – 26 frames per second, which was enough to provide a sense of motion, but the motion was often jerky or uneven. You can imagine how film cranked by hand when photographed, and then cranked by hand again when projected, would make it nearly impossible to portray true-to-life motion.
Late in this period, motion picture cameras and projectors developed mechanized cranks, which allowed for constant speeds of recording and projection. Even so, individual scenes were oftentimes filmed and projected at varying frame rates due to filmmakers favoring different speeds for different scenes (usually between 18 and 23 fps). Often film reels were delivered with instructions as to how fast or slow each scene should be shown. Additionally, exhibitors and projectionists favored certain frame rates as well, creating further inconsistency. 24 fps was an economical and technical decision.
What changed everything was sound synchronization. Synchronizing sound with film was attempted as early as 1900, but the technology was too unreliable for major motion pictures. By the late 20s, it became possible to sync sound using a phonograph or similar device, interlocked mechanically with a projector. The first "talkie", a film with recorded dialogue, used this method, set at 24 fps. It was 1927s The Jazz Singer.
Eventually, sound was synced to film by actually printing an optical track on the filmstrip alongside the image. This practice linked frame rate to the limitations of audio technology of the time. Given that film is an expensive medium, it was in Hollywood’s best interest to consume as little film as possible during a production. Although silent films ran at an average of 16 fps, it wasn’t possible to produce a quality soundtrack at that frame rate. Eventually, the studios decided on 24 fps because it was the SLOWEST frame rate possible for producing intelligible sound, which means the decision was not an aesthetic decision, but a technical and economical decision.
Complete name : Gone.with.the.Wind.1939.2160p.Ai-Upscaled.MULTI.DTS-HD.MA.TrueHD.5.1-DirtyHippie.rife4.9v2-60fps.mkv
Format : Matroska
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File size : 45.0 GiB
Duration : 3 h 53 min
Overall bit rate mode : Variable
Overall bit rate : 27.6 Mb/s
Frame rate : 59.940 FPS
Movie name : Gone.with.the.Wind.1939.2160p.Ai-Upscaled.DTS-HD.MA.TrueHD.5.1-DirtyHippie.rife4.9v2-60fps- with overture/intermission
Encoded date : 2024-01-03 18:05:16 UTC
Writing application : mkvmerge v81.0 ('Milliontown') 64-bit
Writing library : libebml v1.4.4 + libmatroska v1.7.1 / Lavf60.17.100
VIDEOAI : Enhanced using prob-3; mode: manual; revert compression at 28; recover details at 10; sharpen at 17; reduce noise at 60; dehalo at 8; and anti-alias/deblur at -5. Changed resolution to 3840x2160
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(Testing new rife model 4.9v2)
Multilingual audio and Multilingual subtitles included. With overture/intermission as per request.
TensorRT RIFE motion interpolation is a combination of TensorRT and RIFE that enables real-time video frame interpolation with high quality. It is a TensorRT plugin for Vapoursynth, a video processing framework, that can be used for both transcoding and real-time playback modes. The interpolation quality, performance, and memory usage are determined by the AI model used. Model 4.6 provides higher quality but is slower than model 4.4, which requires less memory.
The frame rate of a film is the number of still images that are displayed per second to create the illusion of motion. The higher the frame rate, the smoother the playback, and the more realistic the motion appears. Here are some differences between 24, 30, 48, 60FPS in movies:
24 FPS: This is the standard frame rate for movies. It is good for creating a cinematic experience and is not suitable for gaming. However, it can appear choppy during fast-paced action scenes.
30 FPS: This frame rate is commonly used in television broadcasts and is suitable for creating a smooth and natural-looking video.
48 FPS: This frame rate is used in some movies to create a more immersive and realistic experience. It provides smoother playback and is ideal for action-packed scenes.
60 FPS: This is the standard frame rate for video playback and has been the standard for more than 30 years. It provides a smooth and comfortable viewing experience.
We are no longer bound by the technological restrictions created by old, grainy, low frequency, and low frame rate cameras and TV's.
Early silent films had frame rates from 14 – 26 frames per second, which was enough to provide a sense of motion, but the motion was often jerky or uneven. You can imagine how film cranked by hand when photographed, and then cranked by hand again when projected, would make it nearly impossible to portray true-to-life motion.
Late in this period, motion picture cameras and projectors developed mechanized cranks, which allowed for constant speeds of recording and projection. Even so, individual scenes were oftentimes filmed and projected at varying frame rates due to filmmakers favoring different speeds for different scenes (usually between 18 and 23 fps). Often film reels were delivered with instructions as to how fast or slow each scene should be shown. Additionally, exhibitors and projectionists favored certain frame rates as well, creating further inconsistency. 24 fps was an economical and technical decision.
What changed everything was sound synchronization. Synchronizing sound with film was attempted as early as 1900, but the technology was too unreliable for major motion pictures. By the late 20s, it became possible to sync sound using a phonograph or similar device, interlocked mechanically with a projector. The first "talkie", a film with recorded dialogue, used this method, set at 24 fps. It was 1927s The Jazz Singer.
Eventually, sound was synced to film by actually printing an optical track on the filmstrip alongside the image. This practice linked frame rate to the limitations of audio technology of the time. Given that film is an expensive medium, it was in Hollywood’s best interest to consume as little film as possible during a production. Although silent films ran at an average of 16 fps, it wasn’t possible to produce a quality soundtrack at that frame rate. Eventually, the studios decided on 24 fps because it was the SLOWEST frame rate possible for producing intelligible sound, which means the decision was not an aesthetic decision, but a technical and economical decision.
Complete name : Gone.with.the.Wind.1939.2160p.Ai-Upscaled.MULTI.DTS-HD.MA.TrueHD.5.1-DirtyHippie.rife4.9v2-60fps.mkv
Format : Matroska
Format version : Version 4
File size : 45.0 GiB
Duration : 3 h 53 min
Overall bit rate mode : Variable
Overall bit rate : 27.6 Mb/s
Frame rate : 59.940 FPS
Movie name : Gone.with.the.Wind.1939.2160p.Ai-Upscaled.DTS-HD.MA.TrueHD.5.1-DirtyHippie.rife4.9v2-60fps- with overture/intermission
Encoded date : 2024-01-03 18:05:16 UTC
Writing application : mkvmerge v81.0 ('Milliontown') 64-bit
Writing library : libebml v1.4.4 + libmatroska v1.7.1 / Lavf60.17.100
VIDEOAI : Enhanced using prob-3; mode: manual; revert compression at 28; recover details at 10; sharpen at 17; reduce noise at 60; dehalo at 8; and anti-alias/deblur at -5. Changed resolution to 3840x2160
Video
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Format : HEVC
Format/Info : High Efficiency Video Coding
Format profile : Main 10@L5.1@Main
Codec ID : V_MPEGH/ISO/HEVC
Duration : 3 h 53 min
Bit rate : 21.9 Mb/s
Width : 3 840 pixels
Height : 2 144 pixels
Display aspect ratio : 16:9
Active width : 2 961 pixels
Active display aspect ratio : 1.380
Frame rate mode : Variable
Frame rate : 59.940 FPS
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User comments Sort newest first
by Guest-3999
on 2024-01-04 19:19:39
 | Hi, "60 FPS: This is the standard frame rate for video playback and has been the standard for more than 30 years. It provides a smooth and comfortable viewing experience." This is not true. The 50Hz and 60Hz frequencies in PAL and NTSC systems, respectively, do not directly correspond to frames per second (FPS). Instead, they refer to the refresh rates of the television systems. |
by Guest-1768
on 2024-01-04 10:47:52
| "60 FPS: This is the standard frame rate for video playback and has been the standard for more than 30 years. It provides a smooth and comfortable viewing experience." NO. it is not. The 50Hz and 60Hz frequencies in PAL and NTSC systems, respectively, do not directly correspond to frames per second (FPS). Instead, they refer to the refresh rates of the television systems. |
by chesley96
on 2024-01-04 19:08:01
 | If you want smooth playback, then YES, it is the standard. The conversion of Hertz (Hz) to Frames Per Second (FPS) is straightforward. 1 Hz is equivalent to 1 FPS. If you have a 24Hz monitor and you play a 60FPS video, the video will be downsampled to 24FPS/Hz. Causing Judder.. |
Like 0
by Muvifrik23
on 2024-01-05 17:15:08
 | Yes, you are right. Watching TV PAL or NTSC is never so unnatural like this 60 fps. cause 60hz brodcast is not the same as 60fps. google it. i love this upscaled version of the movies, but in the proper true FPS. Please do this and also original. :-) Thank you. |
Like 0
by Muvifrik23
on 2024-01-05 17:15:18
| Yes, you are right. Watching TV PAL or NTSC is never so unnatural like this 60 fps. cause 60hz brodcast is not the same as 60fps. google it. i love this upscaled version of the movies, but in the proper true FPS. Please do this and also original. :-) Thank you. |
Like 0
by Guest-1972
on 2024-01-04 10:36:58
| he he he. man, you are ruining the films with this wax fest and 60fps BS. what is wrong with ppl, who liking this? eh... |
by CharlieBrown
on 2024-01-11 20:04:40
 | I like it !!!!!! And try to be a little more constructive and polite with your comments. We all have our own opinion, but don't judge and don't be rude about it !!!!!! |
Like 1
Liked by - chesley96
by enuffsaid
on 2024-01-03 22:04:31
| Yes! It's here! I have been waiting for this one, Chesley. I'm glad the overture / intermission are in the movie. Cannot wait to watch it. Thank you so much. I love the quality of your uploads. Please keep 'em coming. Oh, and best wishes for 2024. :-) |
by chesley96
on 2024-01-04 02:45:15
| You are most welcome! Hope you enjoy it! Happy new year!!  |
Like 1
Liked by - CharlieBrown
by kentajalli
on 2024-04-04 13:37:32
 | Just watched the "Sample", looks really good, well done. Downloading the rest. I dabble at Ai-upscaling too, so I know, how long it takes. Just one observation, the 60fps upscale must have taken a long time, for me a 24fps on a good TV yields very smooth playback, so I wonder why you decided to implement that. Over all excellent work. |
by Guest-1085
on 2024-01-05 05:41:34
| So basically because you have lots of people all complaining about the frame rate they all = equal = trolls because you have one fan?
Have you stopped to think that perhaps just maybe you're wrong, Chesley96? and using 24 frame source file to create 60 frame is bad practice, hence why you don't see many* others doing it... |
Comments need intelligible text (not only emojis or meaningless drivel).
No upload requests, visit the forum or message the uploader for this.
Use common sense and try to stay on topic.
No upload requests, visit the forum or message the uploader for this.
Use common sense and try to stay on topic.
