(2023) King Crimson - Larks’ Tongues in Aspic [50th Anniversary Edition]    


Review:When, in July 1972, Melody Maker revealed that Bill Bruford & John Wetton were joining King Crimson – from Yes & Family respectively, it was front page news. Also joining were Jamie Muir – a key figure in London’s jazz scene & David Cross – from the band Waves. Fripp’s claims about the band’s ‘magic’ were to be put to the test that autumn when, following a three night stint at the Zoom Club, Frankfurt & TV appearance on Bremen’s Beat Club, the band undertook an extensive UK tour, which ran from the end of October through to mid-December. With the exception of the encore “21st Century Schizoid Man”, the material was all new, with a heavier emphasis on improvisation than had ever been utilised by any major UK rock group on a headlining tour. The developing material for Larks’ Tongues in Aspic was premiered to a succession of audiences who, for the most part, had bought tickets expecting to hear something else entirely (encore notwithstanding) but who responded to the challenging set with enthusiasm. Recorded from mid-January to the beginning of February & released in late March of 1973, Larks’ Tongues in Aspic became one of the most acclaimed of King Crimson’s albums as well as establishing its reputation as a key album from one of rock music’s most significant years. After a handful of further UK concerts, Jamie Muir left the band with the remaining quartet working with ever greater success until Summer 1974 when Fripp placed the band on indefinite hiatus. Almost half a century after its release, Steven Wilson undertook the job of mixing the album for Dolby Atmos and, in the process, prepared new stereo & 5.1 mixes. The new stereo & 5.1 mixes – no doubt informed by the more adventurous mix techniques allowed by the Atmos process – are quite different in approach, more expansive than the earlier mixes as released in 2012, while still retaining and enhancing the core power of the original material. While Steven was working on this aspect of the material Alex R. Mundy and David Singleton at DGM were mixing every single take of the original studio sessions. These unreleased early takes are presented not as traditionally blended pieces, but with maximum separation, mimicking the experience of sitting in the studio with the individual elements being performed around you. The “Elemental mixes” apply this same approach to the main album takes. An excitingly fresh view on the familiar, with the focus often falling in unusual places, some originally hidden, some unused. Four of the album’s core tracks feature: extended mixes of Larks’ 1 and Talking Drum along with Easy Money & Larks’ 2. — BY Paul Sinclair @ superdeluxeedition


   


Track List:
01 Larks’ Tongues in Aspic, Part One (2023 Mix)
02 Book of Saturday (2023 Mix)
03 Exiles (2023 Mix)
04 Easy Money (2023 Mix)
05 The Talking Drum (2023 Mix)
06 Larks’ Tongues in Aspic, Part Two (2023 Mix)
07 Book of Saturday (instrumental mix) (2023 Mix)
08 Exiles (instrumental mix) (2023 Mix)
09 Easy Money (instrumental mix) (2023 Mix)
10 Larks’ Tongues in Aspic, Part One (Elemental mix)
11 Easy Money (Elemental mix)
12 The Talking Drum (Elemental mix)
13 Larks’ Tongues in Aspic, Part Two (Elemental mix)
14 Exiles (master reel take 4 backing)
15 Book of Saturday (master reel guide vocals, guitar, violin overdubs)
16 Book of Saturday (master reel bass pass 2, vocals with vocal overdubs)


Media Report:
Genre: prog-rock
Country: London, UK
Format: FLAC
Format/Info: Free Lossless Audio Codec
Bit rate mode: Variable
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits
Compression mode: Lossless
Writing library: libFLAC 1.2.1 (UTC 2007-09-17)


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