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Overview: Mary Morrissy has published three novels – Mother of Pearl, The Pretender and The Rising of Bella Casey – and a collection of short stories, A Lazy Eye (1993). She has won a Hennessy Award and a Lannan Literary Foundation Award and currently teaches at University College Cork.
Genre: Historical Fiction

The Pretender
The story of the mysterious young woman who deceived the world into thinking she was Anastasia, the last surviving daughter of the Tsar Nicholas 11, and was shown after her death to be an imposter. The Pretender is a fictional biography of a nobody , a Polish factory worker who convinced the world that she was a grand duchess, the last of a doomed royal dynasty.

Mother Of Pearl
MOTHER OF PEARL, the first novel by an acclaimed Irish short-story writer, explores the disturbing territory of the divided self. Through the story of the kidnapping of a baby, the notion of personal history as received fiction is examined. The novel asks: what makes a family? Is it mere kinship through blood, or something more profound and intricate? What keeps it together? What tears it apart? The action of the novel is seen through the eyes of a baby's mother, the kidnapper and the child itself. Dramatic, blackly funny and tragically topical, MOTHER OF PEARL is a remarkable achievement.

Prosperity Drive
All the characters in this mesmerising book begin their journeys on Prosperity Drive. Everything radiates out – often internationally – from this suburban Dublin street, and everything eventually returns to it. It is an Ireland in miniature. Like an exploded novel, Prosperity Drive is laid out in stories, linked by its characters who appear and disappear, bump into each other in chance encounters, and join up again through love, marriage or memory.
The form of Prosperity Drive reflects and embodies the theme of dislocation. Exploring family ties and small coincidences, the stories are united by recurring imagery, echoing a kind of collective unconscious, and the magnetic force of place. While each story is discrete, and stands perfectly alone, when read together they have an extraordinary cumulative effect. Through the central drama of the Elworthy family, the collection has a strong narrative arc, very similar to that of a novel, making explicit to the reader secrets withheld from the characters.
A stunningly original construction, this journey in stories is very much like life itself: a series of circles and trajectories, a process of learning how to love and how to lose that love. Heartbreaking and hilarious in turn, always incisive and exquisitely written, this is a thrilling book by a major Irish writer.