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1-1 Toccata Und Fuge D-Moll BWV 565 8:49
1-2 Präludium Und Fuge Es-Dur BWV 552
Triosonate Nr. 5 C-Dur BWV 529
1-3 Allegro 5:17
1-4 Largo 7:48
1-5 Allegro 4:00
1-6 Fantasie Und Fuge G-Moll BWV 542 12:30
Choralvorspiele:
1-7 >> Kommst Du Nun, Jesu, Vom Himmel Herunter << BWV 650 3:32
1-8 >> Wachet Auf, Ruft Uns Die Stimme << BWV 645 5:48
Toccata (Präludium) Und Fuge D-Moll (>>Dorische<<) BWV 538
2-1 Toccata 6:23
2-2 Fuge 9:15
Partite Diverse Sopra: Sei Gegrüßt, Jesu Gütig BWV 768
2-3 Choral. Variationen I-XI 19:26
Passacaglia C-Moll BWV 582
2-4 Passacaglia 9:12
2-5 Thema Fugatum 6:06
Composed By – Johann Sebastian Bach
Organ – Karl Richter
Disc 1: Orgel der Jaegersborg-Kirche bei Kopenhagen
Disc 2: Große Silbermann-Orgel im Dom zu Freiberg
Review
All Music Review by James Leonard
"Astounding" doesn't even come close to describing these '60s recordings of Bach's organ works played by Karl Richter on the Jaegerborg-Kirche organ in Copenhagen. Richter's technique is more than astounding; it is stunning in its virtuosity. While there are a handful of organists that equal Richter, there are none who surpass him. From his incredibly independent hands to his unbelievably dexterous pedals, Richter is a marvel.
More than that, Richter's interpretations are more astounding; they are staggering in their profundity. From the furious raging of the Toccata and Fugue in D minor to the sublime exaltation of Wachet auf, ruft unds die Stimme to the ecstatic terror of the Passacaglia and Fugue in C minor, Richter is a miracle. Deutsche Grammophone's recordings are likewise more than astounding; it is spectacular in its reality. Every combination of stops and registers, every gradation of tone from a whispered melody for thefour-foot flute to a thunderous pedal tone on the lowset A is realized in stupendous sound, placing the listener in the central pew of an almost empty Jaegerborg-Kirche. Anyone who loves great organ recordings will love these recordings.
