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You can find all the details here https://musicbrainz.org/release/f5849b02-17b4-452e-91d6-002f959eac6b

The Creatures of Prometheus, op. 43: Overture. Adagio - Allegro molto e con brio  
The Creatures of Prometheus, op. 43: Introduction. Allegro non troppo  
The Creatures of Prometheus, op. 43: I. Poco adagio  
The Creatures of Prometheus, op. 43: II. Adagio - Allegro con brio  
The Creatures of Prometheus, op. 43: III. Allegro vivace  
The Creatures of Prometheus, op. 43: IV. Maestoso - Andante  
The Creatures of Prometheus, op. 43: V. Adagio - Andante quasi allegro  
The Creatures of Prometheus, op. 43: VI. Un poco adagio - Allegro  
The Creatures of Prometheus, op. 43: VII. Grave  
The Creatures of Prometheus, op. 43: VIII. Marcia. Allegro con brio  
The Creatures of Prometheus, op. 43: IX. Adagio  
The Creatures of Prometheus, op. 43: X. Pastoral. Allegro  
The Creatures of Prometheus, op. 43: XI. Chorus. Andante (Gioja)  
The Creatures of Prometheus, op. 43: XII. Solo. Maestoso - Adagio (Gioja)  
The Creatures of Prometheus, op. 43: XIII. Allegro  
The Creatures of Prometheus, op. 43: XIV. Solo. Andante - Adagio (Signora Cassentini)  
The Creatures of Prometheus, op. 43: XV. Coro e Solo. Andantino - Adagio (Vigano)  
The Creatures of Prometheus, op. 43: XVI. Finale. Allegretto
Orpheus Chamber Orchestra

Music for a Ballet on Horseback, WoO 1: I. March  
Music for a Ballet on Horseback, WoO 1: II. German Song. Allegro moderato  
Music for a Ballet on Horseback, WoO 1: IIIa. Hunting Song. Allegretto  
Music for a Ballet on Horseback, WoO 1: IIIb. German Song (da capo)  
Music for a Ballet on Horseback, WoO 1: IVa. Romance. Andantino  
Music for a Ballet on Horseback, WoO 1: IVb. German Song (da capo)  
Music for a Ballet on Horseback, WoO 1: Va. War Song. Allegro assai con brio  
Music for a Ballet on Horseback, WoO 1: Vb. German Song (da capo)  
Music for a Ballet on Horseback, WoO 1: VIa. Drinking Song. Allegro con brio “Mihi est propositum”  
Music for a Ballet on Horseback, WoO 1: VIb. German Song (da capo)  
Music for a Ballet on Horseback, WoO 1: VII. German Dance. Waltz  
Music for a Ballet on Horseback, WoO 1: VIII. Coda. Allegro vivace  
Congratulatory Minuet for Orchestra in E‐flat major, WoO 3: Tempo di menuetto quasi allegretto  
12 Minuets for Orchestra, WoO 7 no. 1 in D major  
12 Minuets for Orchestra, WoO 7 no. 2 in B‐flat major  
12 Minuets for Orchestra, WoO 7 no. 3 in G major  
12 Minuets for Orchestra, WoO 7 no. 4 in E‐flat major  
12 Minuets for Orchestra, WoO 7 no. 5 in C major  
12 Minuets for Orchestra, WoO 7 no. 6 in A major  
12 Minuets for Orchestra, WoO 7 no. 7 in D major  
12 Minuets for Orchestra, WoO 7 no. 8 in B‐flat major  
12 Minuets for Orchestra, WoO 7 no. 9 in G major  
12 Minuets for Orchestra, WoO 7 no. 10 in E‐flat major  
12 Minuets for Orchestra, WoO 7 no. 11 in C major  
12 Minuets for Orchestra, WoO 7 no. 12 in F major  
12 German Dances, WoO 8 no. 1 in C major  
12 German Dances, WoO 8 no. 2 in A major  
12 German Dances, WoO 8 no. 3 in F major  
12 German Dances, WoO 8 no. 4 in B‐flat major  
12 German Dances, WoO 8 no. 5 in E‐flat major  
12 German Dances, WoO 8 no. 6 in G major  
12 German Dances, WoO 8 no. 7 in C major  
12 German Dances, WoO 8 no. 8 in A major  
12 German Dances, WoO 8 no. 9 in F major  
12 German Dances, WoO 8 no. 10 in D major  
12 German Dances, WoO 8 no. 11 in G major  
12 German Dances, WoO 8 no. 12 in C major - Coda
Academy of St Martin in the Fields, Sir Neville Marriner

12 Contredances for Orchestra, WoO 14 no. 1 in C major  
12 Contredances for Orchestra, WoO 14 no. 2 in A major  
12 Contredances for Orchestra, WoO 14 no. 3 in D major  
12 Contredances for Orchestra, WoO 14 no. 4 in B‐flat major  
12 Contredances for Orchestra, WoO 14 no. 5 in E‐flat major  
12 Contredances for Orchestra, WoO 14 no. 6 in C major  
12 Contredances for Orchestra, WoO 14 no. 7 in E‐flat major  
12 Contredances for Orchestra, WoO 14 no. 8 in C major  
12 Contredances for Orchestra, WoO 14 no. 9 in A major  
12 Contredances for Orchestra, WoO 14 no. 10 in C major  
12 Contredances for Orchestra, WoO 14 no. 11 in G major  
12 Contredances for Orchestra, WoO 14 no. 12 in E‐flat major
Berliner Philharmoniker, Lorin Maazel

Coriolan, op. 62: Overture. Allegro con brio  
Name–Day, op. 115: Overture in C major. Maestoso - Allegro assai  
Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro  
Egmont, op. 84: I. Lied: “Die Trommel gerühret!”. Vivace  
Egmont, op. 84: II. Entr’acte Music I. Andante - Allegro con brio  
Egmont, op. 84: III. Entr’acte Music II. Larghetto  
Egmont, op. 84: IV. Lied: “Freudvoll und leidvoll”. Andante con moto - Allegro assai vivace  
Egmont, op. 84: V. Entr’acte Music III. Allegro - Marcia. Vivace  
Egmont, op. 84: VI. Entr’acte Music IV. Poco sostenuto e risoluto - Larghetto - Andante agitato  
Egmont, op. 84: VII. Clärchen’s Death. Larghetto  
Egmont, op. 84: VIII. Melodrama. Poco sostenuto  
Egmont, op. 84: IX. Victory Symphony. Allegro con brio  
Wellington’s Victory, or the Battle of Vitoria, op. 91 “Battle Symphony”  
The Ruins of Athens, op. 113: Overture. Andante con moto - Allegro ma non troppo  
The Ruins of Athens, op. 113: I. Chorus. Andante poco sostenuto “Tochter des mächtigen Zeus!”  
The Ruins of Athens, op. 113: II. Duet. Andante con moto - Poco più mosso “Ohne Verschulden Knechtschaft dulden” (A Greek, A Greek Girl)  
The Ruins of Athens, op. 113: III. Chorus of Dervishes. Allegro ma non troppo “Du hast in deines Ärmels Falten den Mond getragen”  
The Ruins of Athens, op. 113: IV. Turkish March. Vivace  
The Ruins of Athens, op. 113: VIa. March and Chorus. Assai moderato “Schmückt die Altäre!”  
The Ruins of Athens, op. 113: VIb. Recitation. Poco Adagio “Mit reger Freude, die nie erkaltet”  
The Ruins of Athens, op. 113: VIIa. Chorus. Allegretto, ma non troppo “Wir tragen empfängliche Herzen im Busen”  
The Ruins of Athens, op. 113: VIIb. Aria with Chorus. Adagio “Will unser Genius noch einen Wunsch gewähren?”  
The Ruins of Athens, op. 113: VIII. Chorus. Allegro con fuoco “Heil unserm König! Heil!”  
The Consecration of the House, op. 124: Overture. Maestoso e sostenuto - Allegro con brio  
The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) “Wo sich die Pulse jugendlich jagen” - “Laßt uns im Tanze”  
The Consecration of the House, op. 114: VI. March and Chorus. Assai moderato “Schmückt die Altäre!”  
The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo “Es wandelt schon das Volk im Feierkleide”  
Eleonore Prohaska, WoO 96: I. Chorus of Warriors “Wir bauen und sterben”  
Eleonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) “Es blüht eine Blume im Garten mein”  
Eleonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend “Du, dem sie gewunden”  
Eleonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung
Berliner Philharmoniker,  Claudio Abbado

Music to “King Stephen or Hungary’s First Benefactor”, op. 117: Ouvertüre. Andante con moto - Presto  
Music to “King Stephen or Hungary’s First Benefactor”, op. 117: I. Chor: “Ruhend von seinen Taten”. Andante maestoso e con moto  
Music to “King Stephen or Hungary’s First Benefactor”, op. 117: II. Chor: “Auf dunkelm Irrweg in finstern Hainen”. Allegro con brio  
Music to “King Stephen or Hungary’s First Benefactor”, op. 117: III. Victory March  
Music to “King Stephen or Hungary’s First Benefactor”, op. 117: IV. Chor: “Wo die Unschuld Blumen streute”. Andante con moto all’Ongarese  
Music to “King Stephen or Hungary’s First Benefactor”, op. 117: V. Melodram: “Du hast dein Vaterland, dein Fürstenhaus verlassen”. Vivace  
Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VI. Chor: “Eine neue strahlende Sonne”. Vivace  
Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VII. Melodram: “Ihr edlen Ungarn! Hört meine Stimme!”. Maestoso con moto - Andante maestoso - Maestoso con moto  
Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VIII. Geistlicher Marsch, Chor und Melodram  
Music to “King Stephen or Hungary’s First Benefactor”, op. 117: IX. Final Chorus. Presto  
Orchestra dell’Accademia Nazionale di Santa Cecilia
Two arias for “The Beautiful Shoemaker’s Wife, or The Puce‐Coloured Shoes”, WoO 91: “O welch ein Leben!”. Allegretto  
Two arias for “The Beautiful Shoemaker’s Wife, or The Puce‐Coloured Shoes”, WoO 91: “Soll ein Schuh nicht drücken”. Andante con moto  
Convivium musicum München, Erich Keller
Introduction to Act 2 (Entr’acte), WoO 2b (probably to “Tarpeja”). Alla marcia, ma non troppo presto
Göteborgs Symfoniker, Neeme Jarvi
 Triumphal March, WoO 2a: from “Tarpeja”. Alla marcia, ma non troppo presto  
“Germania”, WoO 94: Final number from “The Good News” for bass, chorus and orchestra  
“Es ist vollbracht”, WoO 97: Final number from “The Triumphal Arches” for bass, chorus and orchestra. Risoluto  
Scene (One) from “Vesta’s Fire”, Hess 115  
BBC Symphony Orchestra, Sir Andrew Davis

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