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Everyone knows what noise is. Or do they? Can we in fact say that one man's noise is another teenager's music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen).
Greg Hainge sets out to define noise in this way, to find within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre's novel Nausea and David Lynch's iconic films Eraserhead and Inland Empire, Hainge investigates some of the Twentieth Century's most infamous noisemongers to suggest that they're not that noisy after all and it finds true noise in some surprising places. The result is a thrilling and illuminating study of sound and culture.
FC
Half title
Copyright
Acknowledgements
Manifesto
Turn it up
Noise matters
What noise has been
What noise might be: Towards an ontology of noise
Where noise will (and will not) be found
The (Not So) Noisy Elephants in the Room
Sound
Fury
Signifying
Nothing
Noisea
Haiku
Nausea and noise
Where Nausea’s noise is not
Black noise
Vinyl noise
Grey noise
Noise, Horror, Death
Do you see what I see?
Scream
Poltergeist
Death
White Noise
The Ring
Abject?
On the Difficulties of Attending to Noise
On failing to see noise
On failing to get rid of noise
On failing to identify noise
On noise failing to remain noise
On the Difficulties of Listening to Noise
Punctum
Grain
V/Nois/ce
Concrete
Against the grain
On Noise and Film. Planet, Rabbit, Lynch
Eraserhead
INLAND EMPIRE
Noisy interlude 1
Metarabbit
Digital noise
Plus ça change
Noisy interlude 2
Resolution?
On Noise and Photography. Forest, Fuzz, Ruff
nm 07.1
nm 07.2
nm 07.3
nm 07.4
nm 07.5
nm 07.6
On Noise and Music. Concrete (reprise), Woolly Mammoth
Noise
Musique
Concrete (reprise)
Bridge
The woolly mammoth in the room
Noise music