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EnglishTotal Size:
2.15 GB
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bf13713a651a8a9370cd7eeb9a5df8d98dbe6c4d
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06-06-2019 16:40
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Title:
Victorian Sensations (2019)
Genre:
Documentary, History
Runtime:
59 min - Rating: n/A
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Cast:
Plot:
Season: 1 Year: 2019
Victorian Sensations S01E03 Seeing and Believing (1280x720p HD, 50fps, soft Eng subs)
In the final episode of this series, psychotherapist Philippa Perry time-travels back to the 1890s to explore how the late Victorian passion for science co-existed with a deeply held belief in the paranormal. Using a collection of rare and restored Victorian films from the BFI National Archive, she shows how the latest media innovations made use of contemporary ideas of ghosts and the afterlife - and how this 'new media' anticipated today's networked world.
The final years of Queen Victoria's reign were a moment when the old Victorian order rubbed shoulders with the beginnings of our modern world. It was a chaotic, febrile time of discovery and innovation in science and technology, entertainment and art, and the Victorians had to make sense of it all.
Philippa finds out how Marconi's early experiments with wireless telegraphy encouraged speculation amongst the public and scientists that telepathy - communication between minds - would be the next scientific breakthrough. She also replicates eminent physicist Oliver Lodge's pioneering experiment with radio waves and discovers his fascination for exploring the paranormal with the Society for Psychical Research (SPR). This Victorian group of ghost hunters included William James, a pioneer of psychology, biologist Alfred Russel Wallace and even Prime Minister William Gladstone. Buried in the archives of the SPR in Cambridge University Library, Philippa finds an incredible Census of Hallucinations that contains 17,000 ghostly encounters sourced from the Victorian public.
Maybe it's not surprising that people of the age saw so many ghosts because, in a sense, spirits did haunt the Victorian home. Every Victorian innovation - from photography to motion pictures, phonographs to fantasy books - had its own supernatural genre. Arthur Conan Doyle, creator of the hyper-rational Sherlock Holmes, drew on his real-life experience as a ghostbuster to write his ghostly fiction. Philippa learns the art of spirit photography from Almudena Romero and poses for her own ghostly picture as well as exploring a rare private collection of phonographs, the recent craze that allowed Victorians to hear communications from the past and listen to their loved ones after their deaths for the first time.
Philippa also explores the impact of the arrival in 1896 of motion pictures, the decade's greatest and most magical media innovation. BFI curator Bryony Dixon shows her restored Victorian trick films, from the funny and feminist to a disturbing fake execution. Philippa then creates her own homage to the Big Swallow trick film and eats the cameraman.
The boundary between fact and fantasy was often blurred, and sensationalism infused the new tabloid journalism. At Cambridge University's Institute of Astronomy, Philippa learns about other forms of long-distance communication and the flurry of press interest in stories from Mars. Dr Joshua Nall reveals that some of the greatest public figures of the decade, from Nikola Tesla to Sir Francis Galton, were convinced that signalling with Martians was possible. HG Wells's story The Crystal Egg takes up this theme and predicts future media developments and the power of communications. And even Queen Victoria herself took advantage of the globally networked world that was emerging to allow the film cameras in to capture her triumphant Diamond Jubilee procession for all her imperial subjects. The jubilee was the first global mass media event and the footage captures the essence of the 1890s: the old Victorian order with an empire and an empress, rubbing shoulders with a world we recognise - a modern one of film cameras and global communications. This was the decade the future landed.
First broadcast: 5 June 2019
Duration: 1 hour
Torrent dead? Request reseed at torrentgalaxy.org - or ask at elsonroa at tutanota.com
Media info:
General
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Format profile : Base Media
Codec ID : isom (isom/iso2/avc1/mp41)
File size : 2.15 GiB
Duration : 58mn 55s
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Codec ID/Info : Advanced Video Coding
Duration : 58mn 55s
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Height : 720 pixels
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Frame rate mode : Constant
Frame rate : 50.000 fps
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Compression mode : Lossy
Stream size : 134 MiB (6%)
Language : English
In the final episode of this series, psychotherapist Philippa Perry time-travels back to the 1890s to explore how the late Victorian passion for science co-existed with a deeply held belief in the paranormal. Using a collection of rare and restored Victorian films from the BFI National Archive, she shows how the latest media innovations made use of contemporary ideas of ghosts and the afterlife - and how this 'new media' anticipated today's networked world.
The final years of Queen Victoria's reign were a moment when the old Victorian order rubbed shoulders with the beginnings of our modern world. It was a chaotic, febrile time of discovery and innovation in science and technology, entertainment and art, and the Victorians had to make sense of it all.
Philippa finds out how Marconi's early experiments with wireless telegraphy encouraged speculation amongst the public and scientists that telepathy - communication between minds - would be the next scientific breakthrough. She also replicates eminent physicist Oliver Lodge's pioneering experiment with radio waves and discovers his fascination for exploring the paranormal with the Society for Psychical Research (SPR). This Victorian group of ghost hunters included William James, a pioneer of psychology, biologist Alfred Russel Wallace and even Prime Minister William Gladstone. Buried in the archives of the SPR in Cambridge University Library, Philippa finds an incredible Census of Hallucinations that contains 17,000 ghostly encounters sourced from the Victorian public.
Maybe it's not surprising that people of the age saw so many ghosts because, in a sense, spirits did haunt the Victorian home. Every Victorian innovation - from photography to motion pictures, phonographs to fantasy books - had its own supernatural genre. Arthur Conan Doyle, creator of the hyper-rational Sherlock Holmes, drew on his real-life experience as a ghostbuster to write his ghostly fiction. Philippa learns the art of spirit photography from Almudena Romero and poses for her own ghostly picture as well as exploring a rare private collection of phonographs, the recent craze that allowed Victorians to hear communications from the past and listen to their loved ones after their deaths for the first time.
Philippa also explores the impact of the arrival in 1896 of motion pictures, the decade's greatest and most magical media innovation. BFI curator Bryony Dixon shows her restored Victorian trick films, from the funny and feminist to a disturbing fake execution. Philippa then creates her own homage to the Big Swallow trick film and eats the cameraman.
The boundary between fact and fantasy was often blurred, and sensationalism infused the new tabloid journalism. At Cambridge University's Institute of Astronomy, Philippa learns about other forms of long-distance communication and the flurry of press interest in stories from Mars. Dr Joshua Nall reveals that some of the greatest public figures of the decade, from Nikola Tesla to Sir Francis Galton, were convinced that signalling with Martians was possible. HG Wells's story The Crystal Egg takes up this theme and predicts future media developments and the power of communications. And even Queen Victoria herself took advantage of the globally networked world that was emerging to allow the film cameras in to capture her triumphant Diamond Jubilee procession for all her imperial subjects. The jubilee was the first global mass media event and the footage captures the essence of the 1890s: the old Victorian order with an empire and an empress, rubbing shoulders with a world we recognise - a modern one of film cameras and global communications. This was the decade the future landed.
First broadcast: 5 June 2019
Duration: 1 hour
Torrent dead? Request reseed at torrentgalaxy.org - or ask at elsonroa at tutanota.com
Media info:
General
Format : MPEG-4
Format profile : Base Media
Codec ID : isom (isom/iso2/avc1/mp41)
File size : 2.15 GiB
Duration : 58mn 55s
Overall bit rate mode : Variable
Overall bit rate : 5 215 Kbps
Writing application : Lavf57.83.100
Video
ID : 1
Format : AVC
Format/Info : Advanced Video Codec
Format profile : High@L3.2
Format settings, CABAC : Yes
Format settings, ReFrames : 4 frames
Codec ID : avc1
Codec ID/Info : Advanced Video Coding
Duration : 58mn 55s
Bit rate : 4 890 Kbps
Width : 1 280 pixels
Height : 720 pixels
Display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 50.000 fps
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Bits/(Pixel*Frame) : 0.106
Stream size : 2.01 GiB (94%)
Encoded date : UTC 1904-01-01 00:00:00
Tagged date : UTC 1904-01-01 00:00:00
Color range : Limited
Color primaries : BT.709
Transfer characteristics : BT.709
Matrix coefficients : BT.709
Audio
ID : 2
Format : AAC
Format/Info : Advanced Audio Codec
Format profile : LC
Codec ID : 40
Duration : 58mn 55s
Bit rate mode : Variable
Bit rate : 317 Kbps
Maximum bit rate : 331 Kbps
Channel(s) : 2 channels
Channel positions : Front: L R
Sampling rate : 48.0 KHz
Frame rate : 46.875 fps (1024 spf)
Compression mode : Lossy
Stream size : 134 MiB (6%)
Language : English