(2017) Carmen Villain - Infinite Avenue              


Review:
It’s been four years since fashion model Carmen Maria Hillestad took on the moniker Carmen Villain and released her debut album Sleeper. Villain’s self-produced second LP, Infinite Avenue. weaves an intricate web of emotions brought on by womanhood in the 21st century, and it features a guest appearance from another great artist exploring those themes, Jenny Hval. Carmen is half-Norwegian and half-Mexican, born in the USA and now living in Oslo, Norway, having moved back after living in London for a few years. Writing, recording and producing alone, Carmen’s intensely personal songs are entirely self-created in her makeshift studio, made up of tapestries of guitar, piano, programmed drums and synths, making the most she could out of her limited gear. Once she had arrived at more than enough tracks for a follow-up album to 2013’s Sleeper, some of them were mixed with experimental house producer Matt Karmil and ‘Quietly’ was treated by noise improviser Helge Sten (aka Deathprod). Taboo-busting Norwegian artist Jenny Hval contributes lyrics and vocals on ‘Borders’, a song especially relevant among today’s tightening frontiers in America and elsewhere. ‘Red Desert’ is titled after the legendary Antonioni movie about a woman’s survival tactics in a surreal industrial landscape full of existential crisis. ‘To me the movie feels like a perfect visual representation of what it can be like to be anxious and uncomfortable in your head sometimes,’ says Carmen. Musically, ‘Infinite Avenue’ has a similar effect. With ‘Infinite Avenue,’ Carmen Villain’s songwriting and production skills have taken a major leap forward, and on the final, ethereal ‘Planetarium’ her voice shoots into the stratosphere, riding the comet tail of a Korg bass drone. It’s about acknowledging the immensity of the universe, while remembering that we’ve each got our own private constellation of issues to deal with down here. It’s a typically Villainous contrast of rapture and irony, with a murmured coda recorded as she was falling asleep one night. ‘Everything I write has to be true,’ she says, ‘even if I sometimes find it’s too confessional. Whatever was my truth at that moment.’ The hollow-eyed woman on the cover, that’s Hollywood actress Gena Rowlands, partner of the late director John Cassavetes – a heroine of Carmen’s because of the way her face and body can so brilliantly express psychological states, nervousness, being stressed out, desperation, anxiety, joy without necessarily using words. A freakish dream sequence in ‘Love Streams,’ where she gambles with the love of her estranged husband and child and desperately tries to make them laugh with a bunch of practical-joke toys, is manic genius – and one of Carmen’s favourite film scenes. Ms Rowlands, by the way, personally approved the use of her image for this project.





Track List:
1.Infinite Avenue 03:55
2.Red Desert 03:25
3.Simple Things 01:58
4.Quietly 04:26
5.Borders (feat. Jenny Hval) 04:05
6.She's Gone To California 03:52
7.Connected 03:55
8.The Moon Will Always Be There 04:00
9.Water 03:17
10.Planetarium 04:28


Media Report:
Genre: dream-pop, electronic
Country: Norway
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit rate mode: Variable
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits


Note: If you like the music, support the artist