Artist: Elvis Costello And The Brodsky Quartet
Title: The Juliet Letters
Year Of Release: 1993
Label: Rhino
Genre: Rock? / Classical
Quality: FLAC (tracks+.cue,log)
Total Time: 1:02:50 / 1:14:29
Total Size: 712 MB

Tracklist:

CD1:
01. Deliver Us {0:50}
02. For Other Eyes {2:55}
03. Swine {2:09}
04. Expert Rites {2:23}
05. Dead Letter {2:19}
06. I Almost Had A Weakness {3:53}
07. Why? {1:26}
08. Who Do You Think You Are? {3:28}
09. Taking My Life In Your Hands {3:20}
10. This Offer Is Unrepeatable {3:13}
11. Dear Sweet Filthy World {4:18}
12. The Letter Home {3:11}
13. Jacksons, Monk And Rowe {3:43}
14. This Sad Burlesque {2:47}
15. Romeo's Seance {3:32}
16. I Thought I'd Write To Juliet {4:07}
17. Last Post {2:24}
18. The First To Leave {5:00}
19. Damnation's Cellar {3:25}
20. The Birds Will Still Be Singing {4:27}

CD2 (Bonus CD):
01. She Moved Through The Fair {4:46}
02. Pills And Soap (Live) {4:37}
03. King Of The Unknown Sea (Live) {3:52}
04. Skeleton (Live) {4:54}
05. More Than Rain (Live) {3:25}
06. God Only Knows (Live) {4:01}
07. They Didn't Believe Me (Live) {4:02}
08. O Mistress Mine {4:03}
09. Come Away, Death {4:30}
10. Put Away Forbidden Playthings (Live) {4:13}
11. Can She Excuse My Wrongs (Live) {4:06}
12. Fire Suite 1 {5:29}
13. Fire Suite 3 {3:19}
14. Fire Suite Reprise {2:40}
15. Gigi (Live) {4:14}
16. Deep Dead Blue (Live) {3:46}
17. Upon A Veil Of Midnight Blue (Live) {4:36}
18. Lost In The Stars {3:57}

Looking back on it, it's remarkable that Warner didn't sue Elvis Costello for making deliberately noncommercial, non-representative records, the way Geffen did with Neil Young in the '80s. After all, it's not just that he made a record as anti-pop as Mighty Like a Rose, it's that he followed it with a full-fledged classical album, The Juliet Letters -- "a song sequence for string quartet and voice," recorded with the Brodsky Quartet. It's inspired by a Verona professor who responded to letters addressed to Juliet, of Romeo and Juliet fame, too. Given this history, it's little wonder that the record didn't storm the charts, but it is remarkable that Warner, even with their reputation for being an artist's label, decided to release it, since this just doesn't fit anywhere -- not within pop (especially in the grunge-saturated 1993) and not within classical, either. Of course, that's precisely what's interesting about the record, and if interesting didn't signify any rewards with Mighty, it does here. This is a distinctive, unusual affair that, at its best, effectively marries chamber music with Beatlesque art pop. And there are a number of moments that work remarkably well on the record, such as "I Almost Had a Weakness" and "Jacksons, Monk and Rowe." True, these are the songs closest to straight-ahead Costello songs, yet they're still nice, small gems, and even if the rest of the record can be a little arch and awkward, it's not hard to admire what Costello and the Brodskys set out to do. And that's the problem with the record -- it's easy to intellectualize, even appreciate, what it intends to be, but it's never compelling enough to return to. More experiment than effective, then.