In Person Saturday Night At The Blackhawk, San Francisco Vol.2.cue
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Miles Davis - In Person Saturday Night At The Blackhawk, San Francisco Vol.2.log
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Miles Davis - In Person Saturday Night At The Blackhawk, San Francisco Vol.2.m3u
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Miles Davis - In Person Saturday Night At The Blackhawk Vol.2 (1961)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 414 Mb
Full Artwork @ 600 dpi (png) -> 177 Mb
This cd is the second of 2 put out to chronicle Miles' stay at the Blackhawk in San Francisco in 1961. After a period of transition which included the sometimes uneven results of the "Someday My Prince Will Come" lp, Miles' working band of Hank Mobley on tenor sax, Wynton Kelly on piano, Paul Chambers, bass, and drummer Jimmy Cobb, were coming together as a tight unit. Both dates of the Blackhawk shows are prime examples of the greatness of this working group.
While the Friday night show contained mainly ballads, Saturday night finds the band taking on more up-tempo numbers, and with it the band relaxes into a wonderful groove. Even the slower numbers, like "So What," are sped up during this particular evening. The band was definitely up for the change of pace.
Hank Mobley is the major recipient of the up-tempo nature of the show.
His time spent with Art Blakey's Jazz Messengers proved that he had the chops needed to play quickly and confidently. Mobley at his best within Miles' group comes with his solo on Sonny Rollins' "Oleo." While the solo lasts a mere minute or so, Mobley took the tension created by Miles' calculated, reserved, mute solo, and blows it out of the water with his frenzied attack, which is certainly akin to what both Rollins and Coltrane were playing at the time. Mobley's attack is what the rhythm section of Kelly, Chambers, and Cobb needed. It allowed them to pick up the pace, and led to Kelly's tasty solo after Mobley's.
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