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Rock’n’roll music built its history on the contribution of independent labels. Every major artist in the 1950s started with an independent. While some like Sun, Roulette and King became very well-known, there were many others whose contribution, though just as vital, have rarely been documented. These were the launching pads for artists who found fame elsewhere. Bill Lowery’s NRC was one such label.
Lowery first got into the music publishing business on the advice of Capitol A&R man Ken Nelson after a cancer scare in 1951. Following some early successes in the gospel field, Lowery acquired the copyright to Be-Bop-A-Lula, an early rock’n’roll hit by Gene Vincent. At the end of 1955, Lowery and partner ‘Boots’ Woodall launched their first label, Stars, operating from a PO Box in Atlanta.
Very little is known about Lowery’s earliest artists, most of the Stars and Fox releases were pressed in very small quantities by RCA and rarely distributed beyond Georgia. Chuck Atha, Cleve Warnock and Little Jimmy Dempsey are three of the rockabilly recordings taken from this period.
In 1958, Lowery was reportedly approached by a group of businessmen, with the query “How much would it take to start a real record company?” With a supposed million dollar goal, the stock sellers went about selling what they called ‘founder contracts’, which would allow early investors to acquire more stock at a lower price as the company grew. In a short time, the NRC Studio was operating in the former Brookhaven Elementary School in metro Atlanta. The basic studio staff band included Joe South on guitar, Jimmy Estes on bass fiddle and Nelson Rogers on drums, with Ray Stevens and Jerry Reed filling out the group. Stevens and Reed would eventually become NRC artists themselves when their Capitol contract expired.
Meanwhile, Woodall was busy scouting for talent, and NRC began pressing and distributing other labels, accounting for hits such a Rockin’ Little Angel by Ray Smith on Judd and Mountain Of Love by Harold Dorman on Rita as well as Robbin’ The Cradle a master brought to NRC’s attention by Chicago singer Tony Bellus. From 1958 until 27th April, 1961, when the company went down, the studio was filled with future stars and wannabees, including a number of singers who would go on to have major country hits: Sonny James (another former Capitol artist), Dave Dudley, Johnny Sea and David Houston.
“The Rockin’ South” is an important release in the rock’n’roll calendar. It marks the first time these masters have been released legitimately on CD and, equally importantly, it rocks from start to finish. Highlights include Rod Willis’ sought after rockabilly classic, The Cat, Joe South’s The Purple People Eater Meets The Witch Doctor, a novelty which made it halfway up the Hot 100 in 1958 when South was only 18 years-old, Tommy Roe’s original pre-hit version of Sheila cut with his high school band for Judd in 1960, and a number of powerful rockers such as Sweetie Jones’ Baby Please Don’t Leave, Paul Peek’s chaotic The Rock-A-Round (withdrawn ‘long’ version) and Ric Cartey’s stupendous Scratchin’On My Screen. One of NRC’s few hits, Tony Bellus’ charming Robbin’ The Cradle is taken directly from the original master. The legendary Wayne Cochran talks his way through his debut 45, The Coo, a lascivious blues co-penned by Ray Stevens. This is the withdrawn version referred to as The Naughty Coo. Cochran toned it down on later pressings after the record was banned.
An important release for rockabilly and rock'n'roll fans, "The Rockin' South" is the first legitimate CD to anthologise a group of labels from Atlanta, Georgia, run by Bill Lowery, a music publisher who put the city on the map. These labels included NRC, Scottie, Wonder, Fox and Judd.
Joe South, Tommy Roe and Wayne Cochran were among the artists who got their first break through Bill Lowery and their early sides (including Roe's original pre-hit Judd version of 'Sheila') are included on this set along with some great rockin' sides by the more obscure Rod Willis, the Four Minds, Sweetie Jones, Paul Peek and others
1. The Cat - Rod Willis
2. The Rock-A-Round (Withdrawn Version) - Paul Peek
3. Baby Please Don't Leave - Sweetie Jones
4. The Coo - Wayne Cochran
5. The Little Moon Men - Lee George
6. Splashin' - The Shades
7. The Purple People Eater Meets The Witch Doctor - Joe South
8. Just Me And My Baby - Chuck Atha
9. Strollin' After Dark - The Shades
10. Robbin' The Cradle - Tony Bellus
11. Bop Hop - Little Jimmy Dempsey
12. Chills - Joe South
13. You Shouldn't Oughta Done It - Night Owls
14. I Got A Girl - Tommy Roe
15. Hey Little Nell - Four Mints
16. Congratulations To Me - Darrell Glenn
17. Scratching On My Screen - Ric Cartey
18. I Love You So Much - Chuck Wiley
19. That's All Right - Ray Smith
20. Sheila - Tommy Roe
21. Sweet Skinny Jenny - Paul Peek
22. Wolf - Four Mints
23. My Baby Is Gone - Cleve Warnock
24. Will Travel - Rod Willis
25. I'm Snowed - Joe South
26. Pinch Me Quick - Jimmy Smith
27. Black Knee Socks - Clyde Beavers
28. I'm Gonna Leave You - Walt Benton
29. Baby That's Alright - Robert Gill
30. I'm Happy - Robert Gill
