The Fall - Perverted by Language
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Perverted by Language is the sixth studio album by English Post-punk band The Fall, originally released in 1983. Considering The Fall's back catalogue of hit and miss - one can be safely assured that any Fall album post-1978 and pre-1990 is a keeper. Nothing is as raw, esoteric or as rewarding as listening to The Fall. 'Perverted by Language' is (like any other 80's Fall album) an album of intricacy. An album not even Smith could explain to an individual. What is very intelligible, however, is the always minimalist approach and often underrated musicianship of each member of The Fall. This album works very well as a whole and is certainly not one to judge on the first listen. As an introduction to The Fall, 'Perverted by Language' may just be the best.
Punk may have been the initial spark for the Fall, but by 1983 they had made it clear that whatever trend was next was not for them. Brix Smith made her debut with the band on Perverted by Language, helping to introduce the slightly more pop-friendly era of the group with another fine album. She takes lead vocals at various points throughout, notably "Hotel Bloedel," while her husband plays violin and adds extra spoken word thoughts along the way. The hints of strange beauty that the Fall can sometimes let into its world appear here more than once -- whether it's Brix's influence or not isn't clear, and why not? "Garden" still hits hard while using a softer chime at its heart, while "Hexen Definitive" is almost a country (and western) stroll. Even for all the slightly more accessible touches for a wider audience, the Fall remain the Fall. "Smile" shows the band's abilities at tense audio drama excellently, a relentless, steady build with the Steve and Paul Hanley and Karl Burns rhythm section leading the way, winding up to a total explosion that never comes. Smith's increasingly frenetic vocals match the looming dread of the track to a T. "Neighbourhood of Infinity," notable for its appearance on Palace of Swords Reversed, crops up here in a studio take, again a sequel of sorts to "The Man Whose Head Expanded." Musically it hits its own stride, another of the many motorik-tinged tunes that helped give the Fall its own particular edge ("I Feel Voxish" also fills that bill, and quite well at that). "Eat Y'Self Fitter," touching on everything from meeting heroes (maybe) to returning late rental videos, makes for a great start to things, an endlessly cycling rockabilly chug with extra keyboard oddities and sudden music-less exchanges for the chorus.
The Man Whose Head Expanded
Ludd Gang
Kicker Conspiracy
Wings
Eat Y'Self Fitter
Neighbourhood of Infinity
Garden
Hotel Blöedel
Smile
I Feel Voxish
Tempo House
Hexen Definitive/Strife Knot
Pilsner Trail