Torrent details for "Various - Doo Wop [The R & B Vocal Sound ]1961-62(sq@TGx)" Log in to bookmark
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Doo-wop is a genre of rhythm and blues music developed in the 1940s by African American youth, mainly in the large cities of the upper East Coast, including New York. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, ornamented with nonsense syllables, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Gaining popularity in the 1950s, doo-wop enjoyed its peak successes in the early 1960s, but continued to influence performers in other genres
The Chords' 1954 hit, "Sh-Boom," is considered to have been the first rhythm-and-blues record to break into the top ten on the Billboard charts, reaching #9; a few months later, a white group from Canada, the Crew Cuts, released their cover of the song, which reached #1. Quickly, other R&B vocal groups entered the pop charts, particularly in 1955, which saw such cross-over doo-wop hits as "Sincerely" by The Moonglows, "Earth Angel" by The Penguins, The Cadillacs "Gloria", The Heartbeats "A Thousand Miles Away", Shep & the Limelites "Daddy's Home", The Flamingos "I Only Have Eyes for You", The Jive Five "My True Story". Doo wop uptempo groups such as The Monotones" Book of Love", "Get a Job" by The Silhouettes, The Marcels " Blue Moon" got hits on Billboard chart. All-white doo-wop groups would appear and produce hits: The Mello-Kings in 1956 with "Tonight, Tonight," The Diamonds in 1957 with the chart-topping cover song "Little Darlin'(original song by AfroAmerican group)", The Skyliners in 1959 with "Since I Don't Have You", " The Tokens in 1961 wIn 1954, doo-wop groups played a significant role in ushering in the rock and roll era when two big rhythm and blues hits by vocal harmony groups, "Gee" by The Crows and "Sh-Boom" by The Chords, crossed over onto the pop music charts. "Only You" by pop group The Platters. The same year saw a number one pop chart hit, "The Great Pretender" by The Platters. In 1956, Frankie Lymon and The Teenagers appeared on the Frankie Laine show in New York, which was televised nationally, performing their hit "Why Do Fools Fall in Love?". Frankie Laine referred to it as "rock and roll"; Lymon's extreme youth appealed to a young and enthusiastic audience. His string of hits included: "I Promise to Remember", "The ABC's of Love" and "I'm Not a Juvenile Delinquent".
The peak of doo-wop might have been in the late 1950s. Early 1960s with the most notable hits being Dion's "Runaround Sue", "The Wanderer", "Lovers Who Wander" and "Ruby Baby" and The Marcels' "Blue Moon". There was a revival of the nonsense-syllable form of doo-wop in the early 1960s, with popular records by The Marcels, The Rivingtons, and Vito & the Salutations. The genre reached the self-referential stage, with songs about the singers ("Mr. Bass Man" by Johnny Cymbal) and the songwriters ("Who Put the Bomp?" by Barry Mann), in 1961.ith "The Lion Sleeps Tonight".
Rhythm & Blues vocal groups have a unique place in music history and are revered by record collectors and aficionados of the music. When Fantastic Voyage released Doo Wop: The R&B Vocal Group Sound 1950-1960 in 2011, it clearly struck a chord with collectors. Collecting the 89 best-selling R&B vocal group hits from the Fifties, the compilation remains amongst the label's most popular titles. Now Doo Wop Revival continues the story into the early sixties when R&B vocal groups found themselves back in favour, and like it's predecessor it is annotated by Marv Goldberg: The world's leading authority on R&B vocal groups. By the end of the 1950s, according to some music historians, Rock & Roll didn't even exist anymore; it had been absorbed into, and then became, mainstream Pop music. Teen idols were on the ascendant, and, in the opinion of many, American popular music, after the mid-1950s flash of greatness, was dying. And then, some sparks of brilliance flared up. The early '60s saw a string of hits by R&B vocal groups, most shifting down the Soul path, and the Doo Wop Revival was declared. Some of these groups had been around for years (the Platters, the Midnighters, the Coasters, the Wanderers, the Drifters), but most were new to the scene, or at least to the charts. All the selections on the 90-track 3 CD Doo Wop Revival were chart hits in 1961 and 1962 (almost all on the Pop charts and most on the R&B charts as well). Some went to #1. Others barely made the top #100. But they're all worthy tunes, most of which you'll remember (and if you don't, be prepared to meet some new friends).
1. Dedicated to the One I Love (The 5 Royales)
2. I Count the Tears (The Drifters)
3. Pony Time (Don Covay and the Goodtimers)
4. Wait a Minute (The Coasters)
5. Let's Go Again (Where We Went Last Night) (Hank Ballard and the Midnighters)
6. It's Unbelievable (The Larks)
7. The Watusi (The Vibrations)
8. Once Upon a Time (Rochell and the Candles with Johnny Wyatt)
9. To Be Loved (Forever) (The Pentagons)
10. Blue Moon (The Marcels)
11. Bewildered (James Brown and the Famous Flames)
12. Kokomo (The Flamingos)
13. Daddy's Home (Shep and the Limelites)
14. Some Kind of Wonderful (The Drifters)
15. Ain't It, Baby (The Miracles)
16. Rama Lama Ding Dong (The Edsels)
17. The Continental Walk (Hank Ballard and the Midnighters)
18. What Will I Tell My Heart (The Harptones)
19. The Girl's a Devil (The Dukays)
20. Miss Fine (The New Yorkers)
21. I'm So Young (The Students)
22. Tonight (Could Be the Night) (The Velvets)
23. I Don't Mind (James Brown and the Famous Flames)
24. Heart and Soul (The Cleftones)
25. Every Beat of My Heart (Gladys Knight and the Pips)
26. Peanut Butter (The Marathons)
27. Hold Back the Tears (The Delacardos)
28. Little Egypt (Ying-Yang) (The Coasters)
29. That's What Girls Are Made for (The Spinners)
30. No, No, No (The Chanters)
31. Please Stay (The Drifters)
Disc 2
32. My True Story (The Jive Five)
33. Time Was (The Flamingos)
34. Those Oldies But Goodies (Remind Me of You) (Little Caesar and the Romans)
35. Ready for Your Love (Shep and the Limelites)
36. Nag (The Halos)
37. The Switch-A-Roo (Hank Ballard and the Midnighters)
38. Hully Gully Again (Little Caesar and the Romans)
39. I'll Never Smile Again (The Platters)
40. Magic Moon (Clair de Lune) (The Rays)
41. Music, Music, Music (The Sensations)
42. Lover's Island (The Blue Jays)
43. Nothing But Good (Hank Ballard and the Midnighters)
44. A Little Bit of Soap (The Jarmels)
45. When We Get Married (The Dreamlovers)
46. For Sentimental Reasons (The Cleftones)
47. Just You and Me, Darling (James Brown and the Famous Flames)
48. What You Bet (The Cadillacs)
49. I Understand (Just How You Feel) (The G-Clefs)
50. Three Steps from the Altar (Shep and the Limelites)
51. Sweets for My Sweet (The Drifters)
52. Foot Stomping (Part 1) (The Flares)
53. I Really Love You (The Stereos)
54. I Wonder (If Your Love Will Ever Belong to Me) (The Pentagons)
55. It Will Stand (The Showmen)
56. Gypsy Woman (The Impressions)
57. Everybody's Gotta Pay Some Dues (The Miracles)
58. Heartaches (The Marcels)
59. Never, Never (The Jive Five)
60. Letter Full of Tears (Gladys Knight and the Pips)
Disc 3
61. What's So Good About Good-By (The Miracles)
62. Smoky Places (The Corsairs)
63. Duke of Earl (Gene Chandler)
64. Let Me in (The Sensations)
65. My Melancholy Baby (The Marcels)
66. Our Anniversary (Shep and the Limelites)
67. When My Little Girl Is Smiling (The Drifters)
68. I Wish That We Were Married (Ronnie and the Hi-Lites)
69. I Found a Love (The Falcons)
70. I Found Out Too Late (Jackie and the Starlites)
71. Dream Come True (The Temptations)
72. I'll Take You Home (The Corsairs)
73. I Love You (The Volumes)
74. That's My Desire (Yvonne Baker and the Sensations)
75. I'll Try Something New (The Miracles)
76. Woman Is a Man's Best Friend (Teddy and the Twilights)
77. Twist and Shout (The Isley Brothers)
78. If I Should Lose You (The Dreamlovers)
79. Papa-Oom-Mow-Mow (The Rivingtons)
80. Lookin' for a Love (The Valentinos)
81. Do You Love Me (The Contours)
82. There Is No Greater Love (The Wanderers)
83. Broken Heart (The Fiestas)
84. Twistin' with Linda (The Isley Brothers)
85. A Wonderful Dream (The Majors)
86. Untie Me (The Tams)
87. Up on the Roof (The Drifters)
88. These Golden Rings (The Jive Five)
89. You've Really Got a Hold on Me (The Miracles)
90. Puddin N' Tain (Ask Me Again, I'll Tell You the Same) (The Alley Cats)