Various - That'll Flat Git It! Volume 02 Rockabilly From The Vaults Of Decca Records
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All tracks taken from original master copies

The rockabilly explosion triggered a three-alarm anxiety attack among the record industry's panjandrums. They idn't like it, they didn't understand it--they simply knew that they needed some rockabilly acts of their own. During the short period from late 1955 to 1957, there was a general misconception within the business that rockabilly was a market force to be reckoned with.
More exactly, it was a true and honest folk music, and, in common with other true and honest folk musics, it sold poorly. During its brief moment in the sun though, it caused a flurry among the major labels who didn't want to be left trailing in the quest for Next Big Thingdom. The responsibility for locating and recording rockabillies usually devolved to their country divisions because Elvis Presley, Carl Perkins and their ilk were viewed as mutant country artists.
In late 1955, RCA Victor and Mercury were the only major or quasi-major record companies that maintained a full-time presence in Nashville. Decca, Columbia, Capitol and MGM all sent in their A&R representatives. At Decca, the man handed the brief of recording rockabilly was Paul Cohen--chief of country A&R.
His response was much the same as his contemporaries: he recorded a few of his regular roster singing the new music and recruited newcomers on a fairly indiscriminate basis, giving them a shot or two before unceremoniously dumping them when they didn't deliver. In this way, he not only lost Don Woody, but also Buddy Holly.
Cohen is generally credited with knowing nothing about music, and the `de facto' producer of most of these sessions was ace guitarist Grady Martin. In return for the session leader's fee ($82.50 for three hours work--twice the pickers' fee) he assembled the groups, sketched out the head arrangements and often played his bristling lead guitar parts. It was a task he performed for every label that recorded in Nashville, but particularly for Columbia and Decca.

Track List
1. Hot Rock - Johnny Carroll
 2. You're Barking Up The Wrong Tree - Don Woody
 3. Be Bop Baby - Autry Inman
 4. Sweet Love On My Mind - Jimmy & Johnny
 5. Wild Wild Women - Johnny Carroll
 6. Bird Dog - Don Woody
 7. Diggin' The Boogie - Roy Hall
 8. Teenage Boogie - Webb Pierce
 9. Mama Don't You Think I Know - Jackie Lee Cochran
 10. Crazy, Crazy Lovin' - Johnny Carroll
 11. Ten Little Women - Terry Noland
 12. Lorraine - Buddy Covelle
 13. Off-Beat Boogie - Roy Hall
 14. Way Out There - Chuck & Bill
 15. Tryin' To Get To You - Johnny Carroll
 16. I Wanna Bop - Billy Harlan
 17. Flip Flop And Fly - Johnny Bell
 18. Whole Lotta Shakin' Goin' On - Roy Hall
 19. Make Like A Rock And Roll - Don Woody
 20. Corinne, Corinna - Johnny Carroll
 21. See You Later Alligator - Roy Hall
 22. Ruby Pearl - Jackie Lee Cochran
 23. It Would Be A Doggone Lie - Autry Inman
 24. Baby, Don't Leave Me - Five Chavis Brothers
 25. Rock 'N' Roll Ruby - Johnny Cochran
 26. Three Alley Cats - Roy Hall
 27. Teenage Love Is Misery - Jerry Kennedy
 28. Cool It Baby - Eddie Fontaine
 29. Cast Iron Arm - Peanuts Wilson
 30. Crazy Baby - Gene Maltais