Various - 78rpm R&B Vocal Groups Volume 3
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Al tracks taken from original 10inch 78rpm vinyl , be prepared for some hiss and pops .
apologies for this small file as it has lower quality , i blame the ripper

Long before there were musical instruments, the human voice was used to make beautiful music, whether on its own or as part of the countless vocal groups that have formed over history. It’s no surprise that the beauty of singing has been extolled by poets such as Henry Longfellow, who declared: “How wonderful is the human voice. It is indeed the organ of the soul… the flowing of the eternal fountain.”
The desire to come together and sing started in caves. This joyful process changed and developed through Medieval times, through the Renaissance and into Longfellow’s 19th-century era, when the main way to hear transcendental music was in church. Indeed, a cappella music has its origins in Gregorian chanting, and the words “a cappella” in Italian mean “in the style of the chapel”.
African slaves brought their musical traditions with them when they were forcibly transported to work in the North American colonies. Early types of African-American music included spirituals (religious songs using vocal harmony) and field songs. These work songs were sung in time with the movement involved in hard labour. Some slaves sang “call and response” tunes, a technique in which phrases from a lead singer were followed by the other vocalists, a style used so potently in Ray Charles’ groundbreaking ‘What’d I Say’ in 1959.
Another vocal style with a long tradition is barbershop quartet music. Its roots are not just the Middle-America cliché of a Norman Rockwell painting; rather, they were a melting pot of influences, as immigrants to the New World brought a repertoire of hymns, psalms and minstrel-show songs that were developed into harmonies sung by groups on street corners (sometimes called “curbstone harmonies”). The close-harmony quartets and “barbershop” style of “cracking a chord” is first associated with black southern quartets of the 1870s, such as The American Four and The Hamtown Students. By the start of the 20th Century, most barbershops seemed to have their own quartet. The term became widespread after 1910, with the publication of the song ‘Play That Barbershop Chord’.
Though the popularity of Barbershop music has ebbed and flowed, it remains an enduring musical form and even helped inspire influential singing groups. The celebrated Mills Brothers (more of them later) first learned to harmonise in their father’s barbershop in Piqua, Ohio.
As jazz took hold in the 20s, there was a dip in the popularity of vocal groups, but waiting in the wings were The Boswell Sisters, a group who changed the face of modern music in the 30s after they emerged from the vaudeville houses of New Orleans. They were true innovators and can easily claim to be one of the all-time greatest jazz vocal groups.
It wasn’t only female vocal groups that swept America. The Ink Spots, who formed in Indianapolis in the late 20s, were originally called King, Jack and the Jesters – a name they dropped after a legal claim by bandleader Paul Whitehouse.
It has been estimated that there were more than 100,000 different singing acts who were recorded during the 50s, a time when there was even a trend to have vocal groups named after cars, as with The Cadillacs, The Ramblers, The Corvettes, and The Valiants.




01 Jones Boys Sing Band        Sleepy Time In Hawaii
02 Fats Waller And Deep River Boys        By The Light Of The Silvery Moon
03 Celestine Stewart And Charmers      Waitin' For The Train To Come In
04 Caldwells        I Gotta Move
05 Paul Breckenridge And Four Heavenly Knights      Rock-A My Soul
06 Bill Johnson And Musical Notes         All Dressed Up With A Broken Heart
07 Bill Johnson And Musical Notes          Say Something Nice About Me
08 King Odom Quartet           I'm Looking Over A Four Leaf Clover
09 Dixie-Aires                  Playing With Fire
10 Ebonaires            Song Of The Wanderer
11 Four Jacks              I Challenge Your Kiss
12 Melody Echoes I Will To Know
13 Jubilators             Seek And Ye Shall Find
14 Ravens        I'm So Crazy For Love
15 Paul Breckenridge And Choir          Journey's End
16 Shadows         Don't Blame My Dreams
17 Four Tunes         Do I Worry
18 Jesse Belvin And Three Dots An A Dash       All That Wine Is Gone