Artist: GILLESPIE/PARKER

Title: TOWN HALL NYC JUNE 22 1945

acetate recording off board

15. Dizzy Gillespie Quintet - Shwo' n nuff (1:18)
16. Dizzy Gillespie Quintet - Shwo' n nuff (2:55)
17. Dizzy Gillespie Quintet - Be-Bop (8:25)
18. Dizzy Gillespie Quintet - Night in Tunisia (7:32)
19. Dizzy Gillespie Quintet - Grovinn high (6:55)
20. Dizzy Gillespie Quintet - Salt Peanuts (7:20)
21. Dizzy Gillespie Quintet - Hot House (7:54)
22. Dizzy Gillespie Quintet - 52 steet theme (2:07)




1 Intro
2 Bebop
3 A Night In Tunisia
4 Groovin' High
5 Salt Peanuts
6 Hot House
7 Fifty Second Street Theme

Artist: GILLESPIE/PARKER
Title: TOWN HALL NYC JUNE 22 1945



Amazon.com

Dizzy Gillespie and Charlie Parker first became aware of each other in 1940 when the former was playing in Cab Calloway's band and the latter with Jay McShann. Two years later they were both living in New York City and a real friendship developed. By 1945 they were recording and gigging together, culminating in this Town Hall concert on June 22, 1945. These recordings languished for sixty years as acetates that weren't even known to exist in their entirety. That this set captures these two formidable players in their ascendancy and with such clarity is a staggering find. Here, with host Symphony Sid announcing the songs (this would have been for his radio show, but apparently never ended up in his possessions), an important chapter in American music is now restored. By the end of the summer of '45 Gillespie and Parker went their separate ways, both emerging with their own bands and reaching new heights of commercial success. --David Greenberger

Review
It's an unlikely story, but the most stunning jazz discovery in a decade - the Rosetta Stone of bebop - was unearthed at an Elks Lodge in Chelmsford, Mass. The trove consisted of seven 12-inch acetate discs, on which was recorded a 40-minute concert by Dizzy Gillespie and Charlie Parker at Town Hall in New York on June 22, 1945.

That date is significant. The two musicians - Diz and Bird, as the world would soon know them - were still fairly obscure. (Most of the audience had probably come to hear other musicians on the bill, especially the tenor saxophonist Coleman Hawkins, who didn't show up.) The first Gillespie-Parker record had been in stores for only a few weeks. The second, produced on May 11, hadn't yet been released.

In short, these discs vividly transport us to the birth of modern jazz.

In those days of the 78 r.p.m. single, studio sessions were limited to about three minutes per song, solos to 15 or 20 seconds. At the Town Hall concert, the musicians were free to play the tunes - "Bebop," "Groovin' High," "Hot House," "A Night in Tunisia" and "Salt Peanuts," all jazz anthems by the end of that year but at the time still unknown - for twice as long, and at a furious tempo. Solos went on for two minutes or more, and they're blazing - Diz scaling heights on trumpet, Bird hitting speeds on alto sax, that no one had heard before. The studio recordings, great as they are, sound mellow, even quaint, by comparison.

Now, 60 years after the concert, the small jazz label Uptown Records has sonically restored the acetates and transferred them to a CD titled simply "Dizzy Gillespie-Charlie Parker: Town Hall, New York City, June 22, 1945." --Fred Kaplan, The New York Times July 31, 2005