Torrent details for "Scarface.1983.2160p.DV.HDR10+Ai-Enhanced.HEVC.DTS-X.7.1.MULTI3-RIFE.4.18-60fps-DirtyHippie" Log in to bookmark
Controls:
Language:
EnglishTotal Size:
41.29 GB
Info Hash:
79b442984303f57ad0eeeaa7a5700ffac1d08432
Added By:
Added:
23-08-2024 11:37
Stats:
| Update
Name
DL
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Added
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3.17 GB
1,289
[37/12]
29/02/24 16:12
Uploaded by PortalGoods | Size 3.17 GB | Health [37/12] | Added 29/02/24 16:12 |
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17.84 GB
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| Uploaded by Maxoverpower | Size 17.84 GB | Health [16/3] | Added 09/06/23 18:09 |
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31.63 GB
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05/03/24 02:50
| Uploaded by jay77cujo | Size 31.63 GB | Health [15/3] | Added 05/03/24 02:50 |
Title:
Scarface (1983)
Genre:
Crime, Drama
Runtime:
170 min - Rating: 8.3
Director:
Cast:
Plot:
Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down.
Scarface (1983) is now available in 2160p resolution with DOLBY VISION/HDR10+ at 60FPS, Topaz Video Ai-Enhanced from a 2160p Blu-ray REMUX source. The framerate has been increased from the default 24fps to 60fps using SVP 4 PRO and TensorRT RIFE 4.18.
The source is Scarface.1983.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT
A sample is included.
English, Spanish, and French audio with PGS subtitles.
Please note that screenshots do not fully capture the HDR10/HDR10+/DV quality, as they were taken from a PC using MPC-HC with tone mapping. Screenshots taken from a PC in HDR show excessive exposure.
This movie was not originally filmed in High Frame Rate (HFR), but it has been encoded using high-quality motion interpolation with Real-Time Intermediate Flow Estimation (RIFE).
For those who dislike motion interpolation, such as 60fps (smooth motion), this version may not be suitable. However, if you appreciate smooth motion, this enhanced version promises an exciting experience.
Dive into the immersive world of Hyperreality with HFR. Say goodbye to the blurry edges of standard frame rates and welcome a new era where action leaps off the screen with crystal-clear precision, emotions are conveyed in stunning detail, and every movement is captured with high fidelity. High Frame Rate (HFR) breaks the traditional 24fps limit, offering 60 or even 120 frames per second for unparalleled cinematic immersion.
HFR is not just about the speed; it's about capturing the essence of motion with extraordinary accuracy. Enjoy the detailed choreography of action scenes and the thrilling sensation of a freefall with HFR's precision.
Hollywood stands on the brink of a transformative era. Visionaries such as Ang Lee and James Cameron are at the forefront, expanding the horizons of narrative through the hyper-realistic lens of High Frame Rate (HFR) technology. This innovation opens up a myriad of possibilities, from high-octane blockbusters to nuanced dramas.
Welcome the new age. Immerse yourself in hyperreality. Advocate for HFR. The cinema of the future is not just observed—it's lived.
Experience the narrative. Don't just witness it—immerse in it, inhale it, become part of it with HFR.
Complete name : Scarface.1983.2160p.DV.HDR10+Ai-Enhanced.HEVC.DTS-X.7.1.MULTI3-RIFE.4.18-60fps-DirtyHippie.mkv
Format : Matroska
Format version : Version 4
File size : 40.9 GiB
Duration : 2 h 49 min
Overall bit rate mode : Variable
Overall bit rate : 34.4 Mb/s
Frame rate : 59.940 FPS
Movie name : Scarface.1983.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT
Encoded date : 2024-08-23 08:44:02 UTC
Writing application : mkvmerge v86.0 ('Winter') 64-bit
Writing library : libebml v1.4.5 + libmatroska v1.7.1 / Lavf61.3.103
VIDEOAI : Enhanced using amq-13
Video
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Format : HEVC
Format/Info : High Efficiency Video Coding
Format profile : Main 10@L5.1@Main
HDR format : Dolby Vision, Version 1.0, Profile 8.1, dvhe.08.08, BL+RPU, no metadata compression, HDR10 compatible / SMPTE ST 2086, Version HDR10, HDR10 compatible / SMPTE ST 2094 App 4, Version HDR10+ Profile A, HDR10+ Profile A compatible
Codec ID : V_MPEGH/ISO/HEVC
Duration : 2 h 49 min
Bit rate : 25.7 Mb/s
Width : 3 840 pixels
Height : 1 632 pixels
Display aspect ratio : 2.35:1
Frame rate mode : Constant
Frame rate : 59.940 (60000/1001) FPS
Original frame rate : 59.524 FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 10 bits
Bits/(Pixel*Frame) : 0.068
Stream size : 30.4 GiB (75%)
Default : Yes
Forced : No
Color range : Limited
Color primaries : BT.2020
Transfer characteristics : PQ
Matrix coefficients : BT.2020 non-constant
Mastering display color primaries : Display P3
Mastering display luminance : min: 0.0001 cd/m2, max: 1000 cd/m2
Maximum Content Light Level : 1016
Maximum Frame-Average Light Level : 92
Audio #1
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ID in the original source medium : 4352 (0x1100)
Format : DTS XLL X
Format/Info : Digital Theater Systems
Commercial name : DTS-HD MA + DTS:X
Codec ID : A_DTS
Duration : 2 h 49 min
Bit rate mode : Variable
Bit rate : 5 793 kb/s
Channel(s) : 8 channels
Channel layout : C L R LFE Lb Rb Lss Rss Objects
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 SPF)
Bit depth : 24 bits
Compression mode : Lossless
Stream size : 6.87 GiB (17%)
Title : DTS-X 7.1
Language : English
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Original source medium : Blu-ray
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Format : AC-3
Format/Info : Audio Coding 3
Commercial name : Dolby Digital
Codec ID : A_AC3
Duration : 2 h 49 min
Bit rate mode : Constant
Bit rate : 640 kb/s
Channel(s) : 6 channels
Channel layout : L R C LFE Ls Rs
Sampling rate : 48.0 kHz
Frame rate : 31.250 FPS (1536 SPF)
Compression mode : Lossy
Stream size : 778 MiB (2%)
Title : DD 5.1
Language : English
Service kind : Complete Main
Default : No
Forced : No
Dialog Normalization : -31 dB
cmixlev : -3.0 dB
surmixlev : -3 dB
ltrtcmixlev : -3.0 dB
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Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 SPF)
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 933 MiB (2%)
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Language : English
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Original source medium : Blu-ray
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Format : DTS
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Codec ID : A_DTS
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Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 SPF)
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 933 MiB (2%)
Title : DTS 2.0
Language : Spanish
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Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 SPF)
Bit depth : 24 bits
Compression mode : Lossy
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Title : DTS 2.0
Language : French
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The source is Scarface.1983.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT
A sample is included.
English, Spanish, and French audio with PGS subtitles.
Please note that screenshots do not fully capture the HDR10/HDR10+/DV quality, as they were taken from a PC using MPC-HC with tone mapping. Screenshots taken from a PC in HDR show excessive exposure.
This movie was not originally filmed in High Frame Rate (HFR), but it has been encoded using high-quality motion interpolation with Real-Time Intermediate Flow Estimation (RIFE).
For those who dislike motion interpolation, such as 60fps (smooth motion), this version may not be suitable. However, if you appreciate smooth motion, this enhanced version promises an exciting experience.
Dive into the immersive world of Hyperreality with HFR. Say goodbye to the blurry edges of standard frame rates and welcome a new era where action leaps off the screen with crystal-clear precision, emotions are conveyed in stunning detail, and every movement is captured with high fidelity. High Frame Rate (HFR) breaks the traditional 24fps limit, offering 60 or even 120 frames per second for unparalleled cinematic immersion.
HFR is not just about the speed; it's about capturing the essence of motion with extraordinary accuracy. Enjoy the detailed choreography of action scenes and the thrilling sensation of a freefall with HFR's precision.
Hollywood stands on the brink of a transformative era. Visionaries such as Ang Lee and James Cameron are at the forefront, expanding the horizons of narrative through the hyper-realistic lens of High Frame Rate (HFR) technology. This innovation opens up a myriad of possibilities, from high-octane blockbusters to nuanced dramas.
Welcome the new age. Immerse yourself in hyperreality. Advocate for HFR. The cinema of the future is not just observed—it's lived.
Experience the narrative. Don't just witness it—immerse in it, inhale it, become part of it with HFR.
Complete name : Scarface.1983.2160p.DV.HDR10+Ai-Enhanced.HEVC.DTS-X.7.1.MULTI3-RIFE.4.18-60fps-DirtyHippie.mkv
Format : Matroska
Format version : Version 4
File size : 40.9 GiB
Duration : 2 h 49 min
Overall bit rate mode : Variable
Overall bit rate : 34.4 Mb/s
Frame rate : 59.940 FPS
Movie name : Scarface.1983.PROPER.2160p.BluRay.REMUX.HEVC.DTS-X.7.1-FGT
Encoded date : 2024-08-23 08:44:02 UTC
Writing application : mkvmerge v86.0 ('Winter') 64-bit
Writing library : libebml v1.4.5 + libmatroska v1.7.1 / Lavf61.3.103
VIDEOAI : Enhanced using amq-13
Video
ID : 1
Format : HEVC
Format/Info : High Efficiency Video Coding
Format profile : Main 10@L5.1@Main
HDR format : Dolby Vision, Version 1.0, Profile 8.1, dvhe.08.08, BL+RPU, no metadata compression, HDR10 compatible / SMPTE ST 2086, Version HDR10, HDR10 compatible / SMPTE ST 2094 App 4, Version HDR10+ Profile A, HDR10+ Profile A compatible
Codec ID : V_MPEGH/ISO/HEVC
Duration : 2 h 49 min
Bit rate : 25.7 Mb/s
Width : 3 840 pixels
Height : 1 632 pixels
Display aspect ratio : 2.35:1
Frame rate mode : Constant
Frame rate : 59.940 (60000/1001) FPS
Original frame rate : 59.524 FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 10 bits
Bits/(Pixel*Frame) : 0.068
Stream size : 30.4 GiB (75%)
Default : Yes
Forced : No
Color range : Limited
Color primaries : BT.2020
Transfer characteristics : PQ
Matrix coefficients : BT.2020 non-constant
Mastering display color primaries : Display P3
Mastering display luminance : min: 0.0001 cd/m2, max: 1000 cd/m2
Maximum Content Light Level : 1016
Maximum Frame-Average Light Level : 92
Audio #1
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Format : DTS XLL X
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Sampling rate : 48.0 kHz
Frame rate : 93.750 FPS (512 SPF)
Bit depth : 24 bits
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Stream size : 6.87 GiB (17%)
Title : DTS-X 7.1
Language : English
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Channel layout : L R C LFE Ls Rs
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Title : DTS 2.0
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User comments Sort newest first
by Guest-1584
on 2024-08-23 18:31:51
 | I'm the one who asked for Scarface & Taxidriver awhile back, thank-you so much! |
by Guest-1468
on 2024-08-23 18:35:08
| I'm waiting for something from indiana jones or rooge moore's oldies in bond , thanks for your contribution of 10 . Regards |
by chesley96
on 2024-08-29 12:39:46
 | "Leave the Frame Rates alone. Respect the filmmakers decision to shoot/film/DI/post production/edit/ and release their vision in 24 FPS. If directors choose to use 60 FPS or higher for there films they would do so. Whom are you to go against/violate/alter their finished work? Show some respect. STOP this travesty." From this comment, we can gather a few potential traits about the person's personality: Passionate about film and artistic integrity: They clearly care deeply about preserving the original vision of filmmakers and see altering frame rates as a violation of that vision. Traditionalist: They seem to hold a strong preference for established norms in filmmaking (like 24 FPS) and may be resistant to change or experimentation. Opinionated and assertive: They express their views forcefully, using strong language like "violate," "travesty," and "STOP." They are not afraid to tell others what they think. Potentially authoritarian: The phrase "Whom are you to..." suggests a belief in a hierarchy of authority and a sense that the commenter has the right to dictate what is acceptable. Quick to judge and criticize: They seem to have made a snap judgment about the stranger's work and are not hesitant to express their disapproval in harsh terms. Possibly lacking in empathy or openness: They don't seem to consider the stranger's perspective or motivations, and they show little interest in dialogue or understanding. It's important to note: It's always risky to make definitive personality assessments based on a single comment. People can have complex personalities, and their behavior online might not fully reflect who they are offline. However, this comment does offer some clues about the commenter's values, attitudes, and communication style.   |
by Guest-2616
on 2024-08-25 09:06:08
| Bro the image is pfenomenal. Your work is the best on the web. This looks so good I'm about to have heart attack it's like it was filmed today. I wish for the exact same treatment for Drive 2011 if there is any interest in it. But still I wait for all your releases. I see chesley release I download  again thank you so much for this my favorite movie |
by Guest-4156
on 2024-08-24 04:18:20
| maybe black swan if mr have time for it would make it look great because its so grainy but good movie thank you |
by chesley96
on 2024-08-24 12:09:51
| I have it ready, just need to upload it. I'll upload it today ;) |
Like 0
by Guest-2551
on 2024-08-29 00:47:19
| Leave the Frame Rates alone. Respect the filmmakers decision to shoot/film/DI/post production/edit/ and release their vision in 24 FPS. If directors choose to use 60 FPS or higher for there films they would do so. Whom are you to go against/violate/alter their finished work? Show some respect. STOP this travesty. |
by chesley96
on 2024-08-29 12:26:36
| I appreciate your concern for respecting the filmmakers' vision. However, art is subjective and open to interpretation. Exploring different presentations allows us to gain new insights and appreciate the work in fresh way. I respect the filmmakers' choices; I also believe there's room for exploration and innovation. |
Like 0
by Bruce888
on 2024-09-18 01:10:47
 | Who are you to tell people what to do? You sound like you need to get a life. Go buy yourself a pet and stick with your black & white TV |
Like 0
Comments need intelligible text (not only emojis or meaningless drivel).
No upload requests, visit the forum or message the uploader for this.
Use common sense and try to stay on topic.
No upload requests, visit the forum or message the uploader for this.
Use common sense and try to stay on topic.