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Artists always react to the times in which they live. They may celebrate them or criticize them, often trying to change them. But this is the first time in history that technology controlled by private companies is offering to replace the work of writers, musicians, illustrators and visual artists. What impact will generative AI have on how we create art and how we understand what art is for? How will it affect the role of the artist in the future and the conditions under which artists will work? Jan Svenungsson tackles these questions, investigating what AI might do for art, and what it might change, circling the core issue of what it is in human art-making that cannot be replaced.
Index
it can make them
the picture
the role of archives
interpretation
anthropomorphizing.
removing an anthill
“authenticity”
“Bored Ape”
“Bach Faucet”
artistic quality
“increasingly
obsolete”
to know
who made it
get away with it
businessplans
scraped
energy consumption
executing a style
her name is
still part of
the creative
process
feedback loops
“curator”
Freedom from choice
inspired by something
running water
human
friction
no brooding
a game between humans
narrative aspects
Turing Test
theater
enabling new ways of thinking
“mechanical
sympathy”
“Changer la vie”
the conditions for satire
identity
community
to
touch people
remote collaboration
intuitive knowledge
The art world needs text
cocooned by culture
the accused angel quality
embracing human
friction
that can’t be copied