Torrent details for "Ophelie Gaillard - Napoli! (2023) [24-96]"    Log in to bookmark

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Artist: Ophélie Gaillard, Sandrine Piau, Marina Viotti, Luan Góes, Pulcinella Orchestra
Title: Napoli!
Year Of Release: 2023
Label: Aparté
Genre: Classical
Quality: 24bit-96kHz FLAC (tracks) + booklet
Total Time: 02:13:51
Total Size:  2.30 GB

Tracklist:

1. Ortiz: Trattado de Glosas: Recercadas ottava y quarta sobre 'La Folia' (3:07)
2. Matteis: Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio (1:15)
3. Matteis: Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Scaramuccia (3:08)
4. Falconieri: Il primo libro di Canzone (Arr. for Violoncello Piccolo): La suave melodia (2:14)
5. Falconieri: Il primo libro di Canzone (Arr. for Violoncello Piccolo): Su corrente (2:26)
6. Scarlatti: Cello Sonata No. 1 in D Minor: I. Largo (1:24)
7. Scarlatti: Cello Sonata No. 1 in D Minor: II. Allegro (1:49)
8. Scarlatti: Cello Sonata No. 1 in D Minor: III. Largo (1:03)
9. Scarlatti: Cello Sonata No. 1 in D Minor: IV. A tempo giusto (1:31)
10. Sarro: San Ermenegildo: "Saprò ben con tanto piangere" (6:51)
11. Fiorenza: Cello Concerto No. 1 in F Major: I. Presto (4:22)
12. Fiorenza: Cello Concerto No. 1 in F Major: II. Allegro (3:35)
13. Fiorenza: Cello Concerto No. 1 in F Major: III. Largo (2:29)
14. Fiorenza: Cello Concerto No. 1 in F Major: IV. Allegro (3:26)
15. Bonno: L'isola disabitata: "Non turbar quand'io mi lagno" (5:24)
16. Barbella: Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): I. Arlecchinessa (4:12)
17. Barbella: Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): II. Arlecchino solo. Allegro staccato (3:23)
18. Barbella: Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): III. Ninna Nanna (2:58)
19. Barbella: Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): IV. Minuetto del pazzo (1:04)
20. Barbella: Sonata intitolata Arlecchino, Arlecchinessa, Rosetta e Pulcinella (Arr. for Violoncello Piccolo): V. Rosetta, Arlecchino, Arlecchinessa, e Pulcinella (2:19)
21. Anonymous: Tarentella 'La vallubrella' (Arr. for Violoncello Piccolo) (4:33)
22. Falconieri: Folias echa para mi Señora Doña Tarolilla de Carallenos (3:34)
23. Matteis: Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Altra sarabanda (2:07)
24. Matteis: Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Giga (1:01)
25. Corselli: Lamentación segunda del Jueves Santo: Nun. Tempo giusto (4:36)
26. Corselli: Lamentación segunda del Jueves Santo: Samech. Cantabile (2:10)
27. Corselli: Lamentación segunda del Jueves Santo: Lamed. Adagio (5:54)
28. Durante: Concerto No. 2 in G Minor: I. Affettuoso (1:41)
29. Durante: Concerto No. 2 in G Minor: II. Presto (3:45)
30. Alborea: Cello Sonata No. 1 in D Major: I. Amoroso (2:38)
31. Alborea: Cello Sonata No. 1 in D Major: II. Allegro (1:23)
32. Alborea: Cello Sonata No. 1 in D Major: III. Menuet (2:01)
33. Leo: Cello Concerto in D Minor, L. 60: I. Andante grazioso (3:34)
34. Leo: Cello Concerto in D Minor, L. 60: II. Con spirito (3:14)
35. Leo: Cello Concerto in D Minor, L. 60: III. Amoroso (2:57)
36. Leo: Cello Concerto in D Minor, L. 60: IV. Allegro (2:14)
37. Porpora: Ifigenia in Aulide: "Tu, spietato, non farai" (4:59)
38. Lanzetti: Cello Sonata No. 7 in G Major, Op. 1: III. Largo (1:34)
39. Lanzetti: Cello Sonata No. 7 in G Major, Op. 1: II. Rondeau. Andante (2:43)
40. Porpora: Temistocle: "Fiero il ciel balena intorno" (6:23)
41. Pergolesi: Violin Concerto in B-Flat Major (Arr. for Violoncello Piccolo): II. Largo (3:33)
42. Pergolesi: Deianira, Iole ed Ercole: "Se morrai per me" (Bonus Track) (6:15)
43. Pergolesi: Ayres for the Violin, Book I: Aria malinconica (Bonus Track) (2:03)
44. Pergolesi: Ayres for the Violin, Book I: Giga [II] (Bonus Track) (1:19)


Continuing her exploration of the cello repertoire, on Napoli!, Ophélie Gaillard takes listeners on a tour of baroque Naples. We meet emblematic figures such as virtuosos Fiorenza, Lanzetti and Francischello, the composers Durante and Leo, the Spanish Ortiz and the Madrid-born Corselli, and even, in the course of a sonata or a dance, Scaramouche, Harlequin and their comrades from the commedia dell'arte. The Neapolitan soul is revealed in all this richness: hybrid, sensual, contrasting, both theatrical and profoundly authentic. Alongside the Pulcinella Orchestra as well as Sandrine Piau, Marina Viotti and Luan Góes, Ophélie Gaillard's cello draws on it's many sources, from popular to lyrical, secular to sacred. Unpublished works by Porpora, Bonno and Barbella confirm that Naples has not finished giving up it's secrets.


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