Artist: The Mozartists, Ian Page
Title: Sturm und Drang, Vol. 3
Year Of Release: 2023
Label: Signum Records
Genre: Classical
Quality: flac 24bits - 192.0kHz Cover & booklet
Total Time: 01:12:57
Total Size: 2.52 gb

Emily Pogorelc, soprano
The Mozartists
Ian Page, direction

Tracklist

01. Mozart - Adagio & Fugue in C Minor, K. 546
02. Schweitzer - Alceste, Act I Scene 1: Es ist gekommen
03. Alceste, Act I Scene 1: Zwischen Angst und zwischen Hoffen
04. Kozeluch - Symphony in G Minor: I. Allegro
05. Symphony in G Minor: II. Adagio
06. Symphony in G Minor: III. Presto
07. Paisiello - Annibale in Torino, R. 1.26, Act II: Misera, ch’ei perì!
08. Annibale in Torino, R. 1.26, Act II: Smarrita, tremante
09. Haydn - Symphony No. 44 in E Minor, Hob. I:44, 'Trauer': I. Allegro con brio
10. Symphony No. 44 in E Minor, Hob. I:44, 'Trauer': II. Menuetto e Trio: Allegretto
11. Symphony No. 44 in E Minor, Hob. I:44, 'Trauer': III. Adagio
12. Symphony No. 44 in E Minor, Hob. I:44, 'Trauer': IV. Finale: Presto

Like the first two releases in The Mozartists’ ongoing ‘Sturm und Drang’ series, this recording comprises three highly dramatic and turbulent orchestral works interspersed with similarly highly-charged vocal items. The repertoire dates from between 1771 and 1788, and again includes one of Haydn’s great minor-key symphonies – this time arguably the greatest of them all, the ‘Trauer’. For the first time in the series Mozart is also represented, in the form of his extraordinarily visceral and darkly chromatic Adagio and Fugue in C minor, and the disc opens with an outstanding G minor symphony by the Czech composer Leopold Kozeluch, whose quality, sweep and lyricism will surprise many listeners.

The two vocal works are genuine rarities. Schweitzer’s Alceste was one of the earliest attempts to create German tragic opera in the vernacular, and it launches with an aria of searing intensity. The scene from Paisiello’s Annibale in Torino – the twenty-third of his eighty-seven operas –features an exquisite but brief arioso before leading into a stormy G minor aria. The soloist is the exciting young American soprano Emily Pogorelc, and Ian Page again conducts his award-winning period-instrument ensemble.