Baby Face Willette
Face To Face (1961)
FLAC LOSSLESS 24bit-96kHz
PBTHAL Vinyl Rip


Not my rip. Any questions about the
eqipment used can be found in the
lineage text.


allmusic.com...

While it's true that Baby Face Willette's Stop and Listen is widely regarded as his finest recording, this, his Blue Note debut from January of 1961, should not by any means be overlooked. After all, before this session he had the same lot as most Blue Note artists at the time; they played as sidemen on other's recordings before being allowed to headline their own dates. Willette performed on dates by Grant Green (Grant's First Stand) and Lou Donaldson (Here 'Tis). Face to Face boasts a mighty meat and potatoes soul-jazz lineup: Green on guitar, Fred Jackson on tenor, and drummer Ben Dixon. Comprised of six cuts, five of them are Willette originals. The evidence of the rough and rowdy side of Willette's playing is evident from the opener, "Swinging at Sugar Ray's." His approach to the B-3 is far more percussive than Jimmy Smith's, each note is a distinct punch; not only in his solos, but in his chord and head approaches. His solo is a nasty, knotty blues sprint that encompasses gospel licks and R&B fills, too. The other notable thing about the cut is Green's guitar break that shows a side of him we seldom got to hear early on, where he's bending strings, playing in the high register, and using intense single-note runs. It's nearly a breathless way to open a record. Things slow down on the blues "Goin' Down" that features a nice emotive solo by Jackson. The mambo-infused "Whatever Lola Wants" by Richard Adler and Jerry Ross comes next and includes some beautiful stop-and-and start moves in the melody, as well as beautiful call and response between Jackson and Willette, while Dixon's drums shift around the outside before the whole thing breaks down into a groover. The poppin' funky title track has one of those beautiful hard bop heads that's instantly memorable. Sure, it's not terribly sophisticated but it's full of soul and a relaxed yet quick group of changes before Jackson begins to blow. "Somethin' Strange" is pure blues, Chicago style, before moving into tough funky soul. The set closes with "High 'N' Low," a relaxed show-closing groove joint; it's all blues with fine contributions from Green, Jackson, and Willette. The two alternates are not necessarily revelatory, but they do keep the solid vibes happening for another 13 minutes or so. Certainly it's true that these compositions don't show a ton of imagination conceptually, but that doesn't mean anything. The group interplay here is the thing, it works seamlessly. The other notable is the looseness with which Green was playing on the date, and the true introduction of Willette's trademark approach to the B-3. That's all here. These tunes have their own little trademark knots and notches all over them. Highly recommended.


foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2021-06-08 12:10:48

--------------------------------------------------------------------------------
Analyzed: Baby Face Willette / Face To Face
--------------------------------------------------------------------------------

DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR11      -1.00 dB   -15.94 dB      6:35 01-Swingin' At Sugar Ray's
DR11      -2.26 dB   -17.84 dB      7:29 02-Goin' Down
DR11      -2.42 dB   -17.34 dB      7:23 03-Whatever Lola Wants
DR11      -1.00 dB   -15.67 dB      6:19 04-Face To Face
DR10      -1.78 dB   -16.17 dB      6:45 05-Somethin' Strange
DR11      -1.83 dB   -17.34 dB      7:08 06-High 'N Low

Number of tracks:  6
Official DR value: DR11

Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2920 kbps
Codec:             FLAC




Support the artists...
buy it if you like it!

Sharing since 2010
Thanks for Seeding!
Cheers ;)
88