09.-The Voyeur Of Utter Destruction (As Beauty).flac
97.73 MB
10.-Segue - Ramona A. Stone I Am With Name.flac
91.05 MB
11.-We Prick You.flac
103.35 MB
12.-Segue - Nathan Adler.flac
21.42 MB
13.-I'm Deranged.flac
100.76 MB
DR11.txt
1.67 kB
folder.jpg
32.82 kB
lineage.txt
556.00 B
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David Bowie
Excerpts From 1.Outside:
The Nathan Adler Diaries:
A Hyper Cycle (1995)
FLAC LOSSLESS 24bit-96kHz
PBTHAL Vinyl Rip
2012 Music On Vinyl
Not my rip. Any questions about the
eqipment used can be found in the
lineage text.
allmusic.com...
1. Outside bears the subtitle "The Diary of Nathan Adler or The Art-Ritual Murder of Baby Grace Blue. A Non-Linear Gothic Drama Hyper-Cycle." Alright, so it reeks of pretension. One belabors the point because Bowie at his best has always been pretentious, risque, creatively (if sometimes contrivedly) over the top. 1. Outside marks the first in a planned series of collaborations with multi-instrumentalist, producer, and conceptualist Brian Eno based on a Bowie short story. In this end-of-millennium setting, "art-crimes" and "concept muggings" merit their own police division funded by the "Arts Protectorate of London." Echoes of the Berlin "outsider" Bowie/Eno '70s trilogy of Low, Heroes, and Lodger reverberate throughout, including a return to the "cut-and-paste" lyric-assembly method then employed, only this time fed through a Mac rather than more labor-intensive paper-and-scissors tools. The thusly fragmented "narrative" follows the investigations of Detective Professor Adler into the murder and subsequent dismembered body parts exhibition of 14-year-old runaway Baby Grace Blue. In this cut-up, composite world, each character, including Adler, Baby Grace, mixed-race youth Leon Blank, septuagenarian Algeria Touchshriek, and art-terrorist Ramona A. Stone, reflects a different aspect of Bowie himself and is therefore a component of all the previous personas Bowie has enacted over the years. The music also randomly dices and displays many of the previous album settings such personas have populated. To complete the cube, Bowie then draws on musicians that form a kind of anagram band from his past.
foobar2000 1.4.3 / Dynamic Range Meter 1.1.1
log date: 2021-05-02 22:16:51
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Analyzed: David Bowie / Excerpts From 1.Outside: The Nathan Adler Diaries: A Hyper Cycle
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DR Peak RMS Duration Track
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DR7 -13.62 dB -26.51 dB 0:23 01-Leon Takes Us Outside (Edit)
DR11 -1.33 dB -14.73 dB 4:04 02-Outside
DR11 -1.86 dB -14.76 dB 4:58 03-The Hearts Filthy Lesson
DR11 -3.17 dB -16.70 dB 6:34 04-A Small Plot Of Land
DR14 -5.58 dB -22.22 dB 1:40 05-Segue - Baby Grace (A Horrid Cassette)
DR10 -1.00 dB -14.04 dB 5:15 06-Hallo Spaceboy
DR12 -1.09 dB -17.20 dB 5:06 07-The Motel (Edit)
DR11 -1.00 dB -13.49 dB 3:49 08-I Have Not Been To Oxford Town
DR9 -1.80 dB -14.04 dB 4:21 09-The Voyeur Of Utter Destruction (As Beauty)
DR11 -2.03 dB -15.46 dB 4:02 10-Segue - Ramona A. Stone / I Am With Name
DR11 -1.67 dB -14.80 dB 4:36 11-We Prick You
DR12 -5.83 dB -20.17 dB 1:01 12-Segue - Nathan Adler
DR11 -2.08 dB -14.46 dB 4:31 13-I'm Deranged
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