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The Story of Welsh Art S01 complete (1280x720p HD, 50fps, soft Eng subs)
Broadcaster Huw Stephens discovers the many treasures of Welsh art, following the story from prehistoric times up to the present day.
E01
Huw Stephens explores what has long been a missing piece in the cultural story of Britain and indeed Wales itself – the story of Welsh art.
Huw starts his journey on the island of Anglesey where he steps inside a prehistoric burial chamber to witness Welsh art in its earliest form. He sees an exquisite example of Bronze Age artistry in the form of a gold cape, found by chance in a field in North Wales and now one of the prize exhibits in the British Museum.
Religious art delivers some of the most powerful and physically impressive pieces, from towering Celtic crosses standing sentinel in churchyards, to the sleeping figure of Jesse, hewn out of a single piece of oak but also delicately depicted in a rare surviving example of Welsh medieval stained glass.
As artists moved their gaze beyond religion, the rise of portraiture began, with Hans Memling delivering the first known oil painting of a named Welsh person, John Donne, in the 15th century.
E02
Scrambling up the side of one of Wales's highest and most rugged mountains, Huw Stephens retraces the steps of Richard Wilson, an 18th-century artist who changed the course of art history. Bringing harmony and beauty to a landscape that had previously been dismissed as 'God’s rubbish tip', he transformed the way Wales was seen by the world. As Huw discovers, he was not the last to do so – JMW Turner first visited Wales aged 17 and would return many times, painting untamed landscapes, filled with romance and emotion.
As the 19th century progressed, a very different Wales became the focus of art. In Merthyr Tydfil, once the iron capital of the world, Huw discovers the work of Penry Williams, a local artist who was commissioned to paint the vast Cyfarthfa ironworks in all their cathedral-like grandeur and glory. As art and industry collided, the people who did the back-breaking work were depicted for the first time.
E03
In this final episode, Huw Stephens’ journey begins at the dawn of the 20th century with the artists who broke with tradition and depicted Wales in radical new ways. In Snowdonia, he learns how Augustus John and JD Innes led the way, obsessively painting the landscape with a freedom and vibrancy that still dazzles today. Equally bold was the work of Gwen John, whose work is in complete contrast to that of her brother Augustus. At the National Museum Wales in Cardiff, Huw discovers how she used light and tone to paint delicate and hypnotic portraits and interior scenes.
Between the wars, industrial south Wales produced some of the most powerful art of the century; Huw discovers how the work of Evan Walters and Cedric Morris is steeped in their experience of mining communities and the desperate poverty they endured. The lives of striking miners were rarely reflected in art but Walters’ 1926 portrait of his friend William Hopkins captured his subject with dignity and honesty.
Travelling north, Huw heads out to Bardsey Island off the Llyn Peninsula, a place he first visited as a teenager. The landscape of Wales has long been a source of inspiration for artists and in the 1940s Brenda Chamberlain moved to Bardsey to immerse herself in its isolation. Inside the picturesque cottage where she lived, Huw sees her sketches of island life that she drew on the walls “as if they were a giant sketchbook.” At the same time, Kyffin Williams was painting the distinctive, dramatic landscapes of north Wales and established himself as the most popular Welsh artist of the 20th century.
Contemporary art in Wales reflects a post-devolution self-confidence that allows it to look both forward and back. In Swansea, Huw meets Daniel Trivedy and learns how his award-winning work Welsh Emergency Blanket took the patterns of traditional Welsh blankets and printed them on to the silver foil coverings given to refugees rescued from the sea. For his final stop, Huw visits Colwyn Bay where he meets the internationally renowned artist Bedwyr Williams whose work draws heavily on Welsh art history using humour and irreverence. It is a unique history, Bedwyr concludes, and one that makes him excited to be living and working in north Wales.
First broadcast: March 1 2021
Duration: 1 hour per episode
Torrent dead? Request reseed at torrentgalaxy.org - or ask at elsonroa at tutanota.com
Broadcaster Huw Stephens discovers the many treasures of Welsh art, following the story from prehistoric times up to the present day.
E01
Huw Stephens explores what has long been a missing piece in the cultural story of Britain and indeed Wales itself – the story of Welsh art.
Huw starts his journey on the island of Anglesey where he steps inside a prehistoric burial chamber to witness Welsh art in its earliest form. He sees an exquisite example of Bronze Age artistry in the form of a gold cape, found by chance in a field in North Wales and now one of the prize exhibits in the British Museum.
Religious art delivers some of the most powerful and physically impressive pieces, from towering Celtic crosses standing sentinel in churchyards, to the sleeping figure of Jesse, hewn out of a single piece of oak but also delicately depicted in a rare surviving example of Welsh medieval stained glass.
As artists moved their gaze beyond religion, the rise of portraiture began, with Hans Memling delivering the first known oil painting of a named Welsh person, John Donne, in the 15th century.
E02
Scrambling up the side of one of Wales's highest and most rugged mountains, Huw Stephens retraces the steps of Richard Wilson, an 18th-century artist who changed the course of art history. Bringing harmony and beauty to a landscape that had previously been dismissed as 'God’s rubbish tip', he transformed the way Wales was seen by the world. As Huw discovers, he was not the last to do so – JMW Turner first visited Wales aged 17 and would return many times, painting untamed landscapes, filled with romance and emotion.
As the 19th century progressed, a very different Wales became the focus of art. In Merthyr Tydfil, once the iron capital of the world, Huw discovers the work of Penry Williams, a local artist who was commissioned to paint the vast Cyfarthfa ironworks in all their cathedral-like grandeur and glory. As art and industry collided, the people who did the back-breaking work were depicted for the first time.
E03
In this final episode, Huw Stephens’ journey begins at the dawn of the 20th century with the artists who broke with tradition and depicted Wales in radical new ways. In Snowdonia, he learns how Augustus John and JD Innes led the way, obsessively painting the landscape with a freedom and vibrancy that still dazzles today. Equally bold was the work of Gwen John, whose work is in complete contrast to that of her brother Augustus. At the National Museum Wales in Cardiff, Huw discovers how she used light and tone to paint delicate and hypnotic portraits and interior scenes.
Between the wars, industrial south Wales produced some of the most powerful art of the century; Huw discovers how the work of Evan Walters and Cedric Morris is steeped in their experience of mining communities and the desperate poverty they endured. The lives of striking miners were rarely reflected in art but Walters’ 1926 portrait of his friend William Hopkins captured his subject with dignity and honesty.
Travelling north, Huw heads out to Bardsey Island off the Llyn Peninsula, a place he first visited as a teenager. The landscape of Wales has long been a source of inspiration for artists and in the 1940s Brenda Chamberlain moved to Bardsey to immerse herself in its isolation. Inside the picturesque cottage where she lived, Huw sees her sketches of island life that she drew on the walls “as if they were a giant sketchbook.” At the same time, Kyffin Williams was painting the distinctive, dramatic landscapes of north Wales and established himself as the most popular Welsh artist of the 20th century.
Contemporary art in Wales reflects a post-devolution self-confidence that allows it to look both forward and back. In Swansea, Huw meets Daniel Trivedy and learns how his award-winning work Welsh Emergency Blanket took the patterns of traditional Welsh blankets and printed them on to the silver foil coverings given to refugees rescued from the sea. For his final stop, Huw visits Colwyn Bay where he meets the internationally renowned artist Bedwyr Williams whose work draws heavily on Welsh art history using humour and irreverence. It is a unique history, Bedwyr concludes, and one that makes him excited to be living and working in north Wales.
First broadcast: March 1 2021
Duration: 1 hour per episode
Torrent dead? Request reseed at torrentgalaxy.org - or ask at elsonroa at tutanota.com