(2020) Paradise Cinema - Paradise Cinema


Review:
Jack Wyllie, from Portico Quartet and Szun Waves, present Paradise Cinema, his new project, with a self-titled album. Wyllie recorded Paradise Cinema in Dakar, Senegal in collaboration with mbalax (the national popular dance music of Senegal) percussionists Khadim Mbaye and Tons Sambe, who provide the rhythmic backbone. There are traditional elements of mbalax rhythm across the album, but they’re often deconstructed or played at tempos outside of the tradition, so while it hints at a location, it occupies a space outside any specific region. The album’s dream-like quality is inspired by Wyllie’s experience in Dakar, when “the music around the city would go on until 6AM,” he recalls. “I could hear this from my bed at night and it all blended together, in what felt like an early version of the record.” Atmospherically, we’re told that the music is vaporous and enigmatic, but also percussive, “existing in a paradoxical sound-space that’s amorphous, yet still purposeful, serene, but propulsive and aesthetically sharp,” Gondwana Records, the label explains. Paradise Cinema is also informed by notions of hauntology, an idea developed by French philosopher Jacques Derrida, in that it reflects on possible futures that were never realised, and how directions taken in the past can haunt the present. It refers to a handful of old cinemas in Dakar built around independence, that are old and derelict but feel “like monuments to that period, when the city was flooded with utopian ideas about its potential futures,” Wyllie says. As such, the music is situated in an imagined culture that never came to pass.





Tracklist:
01 - Possible Futures
02 - It Will Be Summer Soon
03 - Casamance
04 - Utopia
05 - Liberté
06 - Digital Palm
07 - Paradise Cinema
08 - Eternal Spring


Media Report:
Genre: ambient, electronic, world
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit rate mode: Variable
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits