Various - Let Me Tell You About The Blues - New Orleans
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New Orleans is generally credited as the birthplace of jazz music, but has attracted less attention as a center of the blues. The 12 bar blues were well known in the city before most of the rest of the country. Buddy Bolden's band was remembered at excelling on playing blues before 1906. Anthony Maggio's "I Got the Blues" was an early example of published blues sheet music from 1908. The Original Dixieland Jass Band's "Livery Stable Blues", generally considered the first jazz record, is in a fast blues form.
Although it has drawn to it and produced fewer blues musicians than other major US urban centers with large African-American populations, it has been the center of a distinctive form of blues music, which has been pursued by some notable musicians and produced important recordings.
In the period after World War II a very large number of recordings were produced in the city that were informed by the blues, but had strong R&B and pop influences that anticipated rock and roll and are difficult to classify. Among these artists among the most highly regarded and most influenced by the blues was piano-player Professor Longhair, whose signature song "Mardi Gras in New Orleans" (1949) and other recordings like "Tipitina" (1959) were major R&B hits and who remained a central figure in New Orleans music through to his death in 1980. Other significant figures playing keyboard-based blues include James Booker, whose organ instrumental "Gonzo" reached the top fifty in the Billboard chart in 1960 and was followed by a series of minor single hits
The most significant blues guitarist to emerge from the city in the post-World War II period was Guitar Slim. Originally from the Delta, his "The Things That I Used to Do", which combined gospel, blues and R&B, was a major R&B hit in 1954 and may have influenced the development of later soul music. It also influenced the development of rock music, having been included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, featuring an electric guitar solo with distorted overtones. Other important blues guitarists from the city include Snooks Eaglin, who recorded both acoustic folk and electric-based R&B, and Earl King, who composed blues standards including "Come On" (covered by Jimi Hendrix and Stevie Ray Vaughan) and Professor Longhair's "Big Chief". Also among the major figures of the genre was Dr. John, who began as a guitarist and enjoyed regional success with the Bo Diddley influenced "Storm Warning" in 1959 and a highly successful career from the 1960s after moving to Los Angeles, mixing R&B with psychedelic rock and using New Orleans themed aesthetics.
The careers of many New Orleans bluesmen declined in the 1960s as rock and roll and soul began to dominate popular music, but revived in the 1970s as there was renewed interest in their recordings



Richard (Rabbit) Brown* - James Alley
Lillian Glinn - Where Have All The Black Men Gone
Will Day - Central Avenue Blues
Mary Butler - Electrocuted Blues
Bo Chatman - Good Old Turnip Greens
Dewey Segura - Far Away From Home Blues
Blind Willie Johnson - God Moves On The Water
Christina Gray - The Reverend is My Man
Amédé Ardoin - Blues de Basille
Bo Carter & Walter Jacobs (2) - Times Is Tight Like That
Amédé Ardoin - Les Blues de la Prison
The Mississippi Sheiks* - Lean To One Woman
Lawrence Walker - Alberta
Harry Carter (3) - These Jackson Women Will Not Treat You Right
Little Brother Montgomery - Vicksburg Blues No. 2
Falcon Trio - Raise Your Window
Bo Carter - Ride My Mule
Walter Jacobs (2) - Rats Been On My Cheese
Oscar Woods (The Lone Wolf) - * Evil Hearted Woman
Robert Hill (10) - You Gonna Look Like A Monkey When You Get Old
Bo Carter - Bo Carter's Advice
Chatman Brothers - If You Don't Want Me Please Don't Dog Me Around
Robert Hill (10) - Lumber-Yard Blues
Tommy Griffin - Young Heifer Blues
Little Brother Montgomery - Crescent City Blues
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Roy Brown - Good Rockin' Tonight
Annie Laurie - Annie's Blues
Smiley Lewis - Here Comes Smiley
Chubby "Hip Shakin'" Newsom* - New Orleans Lover Man
Dave Bartholomew Grit Town Blues
Erline Harris - Never Missed My Baby
James "Blazer Boy" Locks - New Orleans Women Blues
Professor Longhair & His Shuffling Hungarians - Mardi Gras In New Orleans
Tommy Ridgley - Shrewsbury Blues
Jewel King 3 X 7 = 21
Fats Domino - The Fat Man
Larry Darnell - Pack Your Rags And Go
George Miller & His Mid-Driffs* - Bat-Lee Swing
Archibald - Stack-A'Lee Part I
Rodney Harris (4) - Blow Your Top
Alma Mondy - Street Walkin' Daddy
Eddie Jones* & His Playboys - New Arrival
Ray Lewis (3) - Jealous Blues
Lloyd Price - Mailman Blues
Blazer Boy - Joe's Kid Sister
Papa Lightfoot P.L. Blues
Big Joe Turner - Crawdad Blues
Boogie Bill Webb - Bad Dog
Ray Johnson - I'll Never Let You Go
Ray Charles - I Wonder Who
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Guitar Slim* - The Things I Used To Do
Herbert "Woo Woo" Moore* - Something's Wrong
Fats Matthews - Goin' Down
T-Bone Walker - Pony Tail
Sugar Boy & His Cane Cutters* - Jock-A-Mo
Willie Johnson (3) - Say Baby
Papa Lightfoot - Wine, Women & Whiskey
Leonard Lee - When The Sun Goes Down
Blanche Thomas - You Ain't So Much A Much
Earl King - Eating And Sleeping
Pee Wee Crayton - Runnin' Wild
Billy Tate - Single Life
Roosevelt Sykes - Sweet Old Chicago
Boo Breeding - Country Woman
Elmore James - Dust My Blues
Little Richard - Directly From My Heart
Big Boy Myles & The Shaw-Wees* - Who's Been Fooling You?
Bobby Charles - See You Later Alligator
Shirley & Lee* - Let The Good Times Roll
3Roy Brown - Let The Four Winds Blow
Jesse Allen - Goodbye Blues
Eddie Lang (2) - Troubles, Troubles
3Ernie K-Doe - There's A Will There's A Way
Ford Eaglin (Snooks Eaglin)* - That Certain Door
3Sammy Myers* - You Don't Have To Go