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Satta Massagana - The Abyssinians

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Satta Massagana is a roots reggae album released by The Abyssinians officially in 1976. It is widely considered The Abyssinians' crowning achievement and a classic roots reggae album.
The title track "Satta Massagana" was a huge hit and has been versioned numerous times by both The Abyssinians and other artists since. It has even been adopted by some Rastafarian groups as a hymn used during services. The song, which translates from the Amharic language as "He Gave Praise", was originally recorded for Studio One in 1969, but the label's owner, Clement "Coxsone" Dodd declined to release it
The Abyssinians debut album has had a very complex release history. The first unofficial editions, very limited in quantity, were released by Clive Hunt in 1975. The first official release occurred in Jamaica in 1976 on Pentrate Label, issued by Clive Hunt and Geoffrey Chung, and shortly after in the United States on Jam Sounds.
The following years, 1977 and 1978, saw the album released by three labels under the title Forward On To Zion. The album was released in the United Kingdom on the UK Klik Chart Sounds and Different labels, as well as on Bernard Collins' own Clinch label. Similarly, Clive Hunt's US-based Azul label released the album under the title Satta. A note on track-listings: the Klik & Different releases reverted to the original track listing of the limited pre-release editions which placed the title track as the final track, furthermore, the Azul edition renamed some tracks and did not include "African Race".
The album would see numerous re-releases over the next decade, including in 1988 by Clinch and in 1989 by the Blue Moon label.
In 1993 the album was released on compact disc for the first time by Heartbeat Records. This edition included four previously unreleased bonus tracks. And once again in 2007 as a deluxe edition which included four additional bonus tracks.
The title track off the album 'Satta Massagana' was covered by Ethiopian dub outfit Dub Colossus in 2011 and released on Real World Records.
The title is referred to in the lyrics of the 1979 song "Jimmy Jazz" by The Clash.
The vocal trio was originally formed in 1968 by Bernard Collins and Donald Manning.Their first song was "Satta Massagana", which was strongly influenced by Carlton Manning's "Happy Land". "Satta Massagana" is a Rastafarian hymn sung partly in the Ethiopian Amharic language. They recruited a third vocalist, who was still at school and often unable to attend rehearsals; he was soon replaced by Donald's brother Lynford Manning, who had previously been a member of their brother Carlton Manning's group Carlton and The Shoes.
"Satta Massagana" was first recorded for producer Clement "Coxsone" Dodd in March 1969, but he decided against releasing it, seeing no commercial potential for what he saw as a song constituting cultural subversion. In 1971, the group purchased the master tapes from Dodd for £90 and released it on their own Clinch label, the single becoming a massive success, prompting Dodd to release his own instrumental and deejay versions. The group released further takes on the song on Clinch by Tommy McCook, Big Youth, and Dillinger, as well as their own "Mabrak", featuring the group reciting passages from the Old Testament. It has since been recorded by dozens of artists.The group's second release, "Declaration of Rights", featured Leroy Sibbles on backing vocals, and like their first was a huge hit in Jamaica, (and subsequently in the international market) and has been covered several times since. Their 1973 single "Y Mas Gan" was similar to "Satta" in its use of Amharic.
The group continued to record throughout the 1970s for producers including Lloyd Daley, Tommy Cowan, and Geoffrey Chung, and their debut album, Forward on to Zion was produced by Clive Hunt and released in 1976. The follow-up, Arise (1978), was recorded under stressful conditions with internal rivalries threatening to break up the group, and after the album's release, Collins left the band, to be eventually replaced by Carlton Manning. This line-up performed at the 1979 Reggae Sunsplash festival, but split up the following year.
Donald Manning had a brief solo career in the early 1980s, in which he recorded as Donald Abyssinian.
Bernard Collins launched his own version of the group in the late 1980s, with two versions of the group existing for a time.The original line-up reunited in 1998 and went on to record new material, including the singles "African Princess" and "Swing Low" and the album Reunion, although Collins was not involved in songwriting at this time. Collins left again in 1999 and released material as Bernard Collins & the Abyssinians, releasing an album the same year.
The Abyssinians are credited on "Slave Song", from Sade's 2002 album, Lovers Live, which starts with a sample from the Abyssinians' song "African Race"

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Track List
"Declaration of Rights" (B. Collins) – 3:28
"The Good Lord" (D. Manning, M. Planno) – 3:25
"Forward Unto Zion" (B. Collins) – 3:46
"Know Jah Today" (B. Collins) – 2:56
"Abendigo" (L. Manning) – 3:33
"Y Mas Gan" (L. Manning) – 3:49
"Black Man's Strain" (B. Collins) – 2:45
"Satta Massagana" (B. Collins, D. Manning, L. Manning) – 3:29
"I And I" (L. Manning) – 3:34
"African Race" (D. Manning) – 2:53
"Leggo Beast" (B. Collins) – 3:10
"Peculiar Number" (D. Manning) – 4:00
"Reason Time" (L. Manning) – 2:55
"There Is No End" (L. Manning) – 3:22

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