Artist: Fabio Bonizzoni, Ryo Terakado
Title: Johann Sebastian Bach: The Sonatas for Violin and Cembalo Obbligato Vol. 1
Year Of Release: 2022
Label: Challenge Classics
Genre: Classical
Quality: 24bit-96kHz FLAC (tracks+booklet)
Total Time: 41:54
Total Size: 858 MB

Tracklist:

1. Sonata No. 1 in B Minor, BWV 1014: I. Adagio (3:13)
2. Sonata No. 1 in B Minor, BWV 1014: II. Allegro (2:59)
3. Sonata No. 1 in B Minor, BWV 1014: III. Andante (3:07)
4. Sonata No. 1 in B Minor, BWV 1014: IV. Allegro II (3:36)
5. Sonata No. 2 in A Major, BWV 1015: I. [Dolce] (2:52)
6. Sonata No. 2 in A Major, BWV 1015: II. Allegro Assai (3:14)
7. Sonata No. 2 in A Major, BWV 1015: III. Andante un poco (2:55)
8. Sonata No. 2 in A Major, BWV 1015: IV. Presto (4:34)
9. Sonata No. 3 in E Major, BWV 1016: I. Adagio (3:41)
10. Sonata No. 3 in E Major, BWV 1016: II. Allegro (3:14)
11. Sonata No. 3 in E Major, BWV 1016: III. Adagio ma non tanto (4:33)
12. Sonata No. 3 in E Major, BWV 1016: IV. Allegro II (4:03)

Johann Sebastian Bach developed a new style, cembalo obbligato, where the right hand of the keyboard plays as a melody instrument and is given the same importance as the violin, flute or other solo instrument. His sonatas for melody instrument and keyboard instrument include works for flute, violin, and viola da gamba. It seems that the "obbligato style" interested him more than the traditional continuo role for the keyboard. As for the violin, there are two sonatas written with basso continuo and six with harpsichord obbligato. Among these works, the six sonatas in particular were conceived as a set, with a consistent style and a well-considered key distribution. This set is one of the highlights in the catalog of Bach’s chamber music. Bach’s son Carl Philipp Emmanuel Bach writes to Bach’s first biographer, Johann Nikolaus Forkel, in 1774: “The 6 clavier [and violin] trios... are amongst the best works of my dearly beloved father. Even now they sound very good and give me many delights, regardless of the fact that they are over fifty years old”.

The key distribution is somewhat symmetric and this suggests that Bach intended these as a set of pieces for violin, comparable to his unaccompanied sonatas and partitas for violin. Additionally, with the exception of Sonata No. 6, this set of works all follow the church sonata style.